by Claudia Gray ‧ RELEASE DATE: March 4, 2014
The eternal conflict between ends and means keeps the tension taut and the plot humming. Stay tuned
All’s not well in Captive’s Sound; the ancient evil Nadia and friends believed they’d vanquished has not only survived, their efforts have made it stronger than ever (Spellcaster, 2013).
Having seen Nadia’s powers, the One Beneath intends to claim her, and Elizabeth, His loyal servant, vows to bring Nadia to Him, at any cost. On Nadia’s side are her friends: Verlaine and Mateo, her Steadfast, who boosts her powers. After Nadia refuses to become her apprentice, Elizabeth—with chilling, casual indifference to consequences—proves how far she’ll go to change her mind. Nadia’s friends offer support, but Mateo’s handicapped by intensifying visions, a family curse, while Verlaine struggles to be seen at all. Among the few who notice her is Asa, Elizabeth’s demon, whose complexity deepens the story. Verlaine’s curse embodies every teen’s nightmare: to live unloved and unnoticed; her stubborn courage has a touching grace. As the series evolves, the rules of witchcraft and the beliefs of its practitioners are coming into focus, but intriguing mysteries remain. Witches and Steadfasts are always women, yet Mateo is a Steadfast and possibly more. Who and what constrained the One Beneath? What are Nadia and her allies willing to do, or refrain from doing, to stop Him?
The eternal conflict between ends and means keeps the tension taut and the plot humming. Stay tuned . (Paranormal romance. 13 & up)Pub Date: March 4, 2014
ISBN: 978-0-06-196122-9
Page Count: 352
Publisher: HarperTeen
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Zoraida Córdova , Tessa Gratton , Claudia Gray , Justina Ireland , Lydia Kang , George Mann , Daniel José Older , Cavan Scott & Charles Soule
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by Claudia Gray
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by Claudia Gray ; illustrated by Eric Zawadzki
by Elizabeth Acevedo ‧ RELEASE DATE: May 5, 2020
A standing ovation.
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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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