Next book

AMERICAN RHAPSODY

WRITERS, MUSICIANS, MOVIE STARS, AND ONE GREAT BUILDING

As vital and entertaining as the creators and work it celebrates, American Rhapsody is an uncommonly satisfying celebration...

The New Yorker staff writer delivers a selective history of the difficult, chaotic, transcendent genius of arts in America.

In this cultural survey, Pierpont (Roth Unbound: A Writer and His Books, 2013, etc.) takes her title from George Gershwin’s original appellation for what would ultimately be known as “Rhapsody in Blue,” an epochal musical composition that embodies the wild, daring, original qualities of its nation of origin, the uniquely transformative properties that are the messy, exciting result of the American experiment. The author explores this “American-ness” (expressed at one point as “seeking a personal language to express a unique point of view”) as it applies to the arts through a series of in-depth portraits of such quintessentially American creators as Edith Wharton, Orson Welles, and Katharine Hepburn. Each chapter of this literary “rhapsody”—an informally structured sequence of distinct elements—begins in medias res with an instantly engaging significant anecdote regarding that section’s subject, deepening into a superbly researched and elegantly presented full artistic biography that unpacks the various social, political, and economic contexts of the work in question. Pierpont’s approach is neither dryly academic nor ideologically hidebound. She places the emphasis on the history and the work, not identity politics, and her witty but sober and evenhanded voice is a consistent pleasure, her prose is limpid and evocative, and her insights consistently dazzle. Deftly untangling the cultural threads that produce (and inextricably link) such geniuses as Gershwin, Nina Simone, F. Scott Fitzgerald, Marlon Brando, Bert Williams, and Peggy Guggenheim (the audaciously spired Chrysler Building also receives a fascinating chapter) with grace and style, Pierpont has composed a refreshingly cleareyed piece of cultural history and an inspiring paean to the American artistic spirit.

As vital and entertaining as the creators and work it celebrates, American Rhapsody is an uncommonly satisfying celebration of the cultural kaleidoscope known as the United States.

Pub Date: May 10, 2016

ISBN: 978-0-374-10440-5

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

Categories:
Next book

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Next book

WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Close Quickview