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THE LOGIC OF MADNESS

From the Inspector Pantaleo Mysteries series , Vol. 1

A mystery that aptly covers two time periods, fronted by an offbeat protagonist.

In this debut thriller, an inspector’s dual murder cases may be connected to an unidentified serial killer’s spree from 20 years ago.

Just days away from Christmas in 2009, Inspector Andrea Pantaleo of the murder squad in Bari, Italy, has two new cases on his desk. One is the mutilated body of an unknown woman, with indications of torture and rape; the other is a gangland-style shooting of three men. In the novel’s concurrent plot, events beginning in 1960 ultimately lead to the 1988 investigation of the murder of Marta Villoresi in Genoa. Inspector Gianrico Salvemini works this case, which involves two key pieces of evidence the killer has intentionally left behind: a cassette tape and a two-word anagram. The tape contains audio of Marta’s brutal murder, ending with the soundtrack to the 1975 Italian horror film Profondo Rosso (Deep Red). Salvemini pinpoints and arrests a suspect, but a second homicide, with another tape and the same anagram, could mean he has the wrong man. More murders ensue and, though they eventually stop, remain unsolved by 2009. Pantaleo, however, has evidence that links his two cases with Marta’s murder by the ’88 serial killer, who may once again be active. Originally published in Italian, Calabrese’s series opener introduces a curious inspector who appears in later volumes. Short-tempered Pantaleo is unlikable, physically assaulting a parking attendant with little provocation. But there’s a softer side, as he fawns over his grandmother, who raised him until he was 10 years old (when her health deteriorated). The engrossing 1988 plot, at over a third of the book’s length, is fully fleshed out, meticulously following Salvemini’s investigation. Descriptions of murders from both eras—a victim’s perspective as well as forensics examinations—are graphic and harrowing. This may be due to Thompson’s translation: The English-language prose, though comprehensible, is unadorned and cold. Despite Pantaleo’s affinity for Sherlock Holmes, the inspector reaches a solution primarily through fortuity and others finding links between the cases.

A mystery that aptly covers two time periods, fronted by an offbeat protagonist.

Pub Date: Dec. 9, 2017

ISBN: 978-1-973529-19-4

Page Count: 299

Publisher: Time Tunnel Media

Review Posted Online: July 9, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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