A deeply thoughtful account of the demands and rewards of Christian devotion.
An eclectic memoir focuses on the author’s spiritual life.
Debut author West begins his memoir by recounting a serious heart attack he had at the age of 63, which served to remind him about the precariousness and finitude of life. The entire remembrance reflects on the nature of time and its passage and the opportunities for service to God. The work unfolds kaleidoscopically, more a catalog of thematically tied meditations than a conventional autobiography. West ponders the meaning and significance of gratitude and love, the relationship between faith and reason, and the beatific power of music. He also provides moving paean to his family, in particular to his younger brother, Cornel West, who furnishes a similarly affectionate foreword to the book. The author’s life has been an eventful one. In 1955, he was a student in the first integrated kindergarten class in Topeka, Kansas, following Brown v. Board of Education of Topeka. He was a prodigious track-and-field runner in high school and won an athletic scholarship to the University of California. West married his high school sweetheart, had two children, worked as a deacon, and wrote an astounding number of songs—some were recorded on albums. He triumphed over stage 3 prostate cancer. The real fulcrum of West’s retrospection, though, is his commitment to living a loving life, the “blueprint” of which he found in the Bible. The work is profoundly philosophical and ranges widely from theology to race. The writing is floridly poetic, though without any sacrifice of clarity: “To be truly beautiful, one must suffer. But yet, be assured, after a night of affliction, there is joy that comes in the morning.” West provides some dark prognostications about the future, a kind of comeuppance for the indulgence of vanity, but in the main, this is an indefatigably optimistic book, which joyously celebrates the power of love.
A deeply thoughtful account of the demands and rewards of Christian devotion.Pub Date: June 22, 2017
ISBN: 978-1-4575-5696-8
Page Count: 96
Publisher: Dog Ear
Review Posted Online: July 18, 2017
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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