Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2021


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Critics Circle Winner

Next book

HOW THE WORD IS PASSED

A RECKONING WITH THE HISTORY OF SLAVERY ACROSS AMERICA

A brilliant, vital work about “a crime that is still unfolding.”

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2021


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Critics Circle Winner

A Black journalist and poet calls for a reconsideration of the way America teaches its history of slavery.

“The story our country tells about the Civil War often flattens some of its otherwise complex realities,” writes New Orleans native Smith, a staff writer for the Atlantic. He notes the U.S. is “at an inflection point, in which there is a willingness to more fully grapple with the legacy of slavery and how it shaped the world we live in today.” However, while “some places have attempted to tell the truth about their proximity to slavery and its aftermath,” others have refused. For this book, the author traveled to nine sites, eight in the U.S. and one in Dakar, Senegal, “to understand how each reckons with its relationship to the history of American slavery.” The result is a devastating portrait with unforgettable details. At the Whitney Plantation in Wallace, Louisiana, historians have labored to help visitors close “the yawning gap on slavery” in their educations—“a hammer attempting to unbend four centuries of crooked nails.” By contrast, the Angola Museum at the Louisiana State Penitentiary has a gift shop with such souvenirs as “a white mug with the silhouette of a guard sitting in a watchtower surrounded by fencing.” When Smith asked his White tour guide to comment on Angola’s role in slavery, the guide replied, “I can’t change that.” At these places and other sites such as Monticello, Galveston Island, and New York City, the author conducted interviews with tour guides, visitors, and others to paint a vivid portrait of the extent to which venues have attempted to redress past wrongs. Smith concludes with a moving epilogue about taking his grandparents to the National Museum of African American History and Culture. The trip elicited painful stories from their childhoods, such as his grandmother recalling walking home from school as White children in buses threw ice cream at her and hurled vicious epithets.

A brilliant, vital work about “a crime that is still unfolding.”

Pub Date: June 1, 2021

ISBN: 978-0-316-49293-5

Page Count: 336

Publisher: Little, Brown

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

Next book

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Next book

ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

Close Quickview