The fun begins with the prologue and doesn’t stop till the end. Too bad the heroes can never meet.
Cussler and Du Brul circle back to Cussler’s Raise the Titanic (1976) in the latest derring-do adventure featuring Isaac Bell (The Cutthroat, 2017).
Dirk Pitt of the National Underwater and Marine Agency bookends the tale with the prologue and epilogue, but the story belongs to Bell. In the present day, Pitt discovers the diary of the Van Dorn Detective Agency’s top investigator, “perhaps the greatest detective of his—or any—generation.” Pitt reads that in 1911, Bell was hired to find out whether nine men have faked their deaths in the Little Angel mine disaster in Colorado. Then he’s hired to help the miner Joshua Hayes Brewster smuggle a thousand pounds of the ore of “a rare element called byzanium” to the United States from Novaya Zemlya, the “hellhole” island in the Russian arctic where the miners really are. But not so fast—people are already trying to kill Bell before he leaves Colorado. Once safely across the pond, he hires an Icelandic whaling skipper who knows how to navigate the deadly ice floes to bring him to a desolate Russian mine and return everyone and the ore to Scotland and ultimately to America. On the island, Bell finds eight desperately ill men who appear “not unlike the dead” because the mineral is radioactive. But it’s worth more than $1 million per ounce and has unknown and possibly great potential. Meanwhile, that round trip is no day in a dinghy. Bell blows up icebergs to avoid being icebound, wards off a 10-foot-tall polar bear, parries attacks from a French vessel, and deals with fire, betrayal, and plenty of murder. He deals with one disaster after another with smarts, bravery, loyalty, honesty, and no small amount of luck. When it’s all over, he wants to return to his dear wife, Marion, in America, but business before pleasure. And yes, all of this connects to the Titanic in the title.
The fun begins with the prologue and doesn’t stop till the end. Too bad the heroes can never meet.Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-1726-3
Page Count: 400
Publisher: Putnam
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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