Big aspirations get crammed into an engaging tale of a robot with a modest system.
A researcher, haunted by personal tragedy, becomes emotionally involved while psychologically assessing an advanced robot who may be prone to dangerous behavior.
Selbrede takes on weighty issues of humanity and machine life in this SF novella. For five years, research scientist Ally Fallows has worked at an institution called NQQ (short for the Latin nequaquam, meaning “any means”). Suddenly, she is reassigned to a project in NQQ’s elite division. A series of advanced prototype robots has gone rogue. Their AI minds suffer through “a sort of artificial puberty, if you will,” and they tend to rebelliously conclude their human creators are unworthy and must be eliminated. Thus, robots have been summarily destroyed by NQQ to thwart any threat to people (Ally later learns to her horror that human life has been lost already). Because of her psychology background, Ally is supposed to assess Makeshift, a guinea-pig robot deliberately cobbled from components of the scrapped ones just to trace the malfunction’s nature. Ally is surprised that the roughly humanoid Makeshift seems gentle, creative, and whimsical but also maddeningly obtuse and resistant to letting Ally analyze his intellect using standard methods. Eventually, the time with Makeshift—who, like Melville’s Bartleby the scrivener, resists doing a task because of an existential crisis (except the robot does a better job of explaining himself)—triggers unhealed emotional wounds Ally carries about her dead brother. By adhering to a brief page count and a fairly unadorned narrative, Selbrede imparts a fablelike quality to material that might have been explored at greater breadth and depth in one of Isaac Asimov’s canonical robot tales, though Asimov (at least in shorter classics like “Liar!”) exhibits much less love for conflicted machines and the unattached women in white lab coats who tend them. This novella, meanwhile, wrestles with nothing short of the meaning of existence, altruism, and the purpose of all intelligent organisms—which potentially involves quite a bit of hard-drive space. A dose of ambiguity in the finale (literally, the last few sentences) raises whole memory banks full of questions, especially among readers who may relate Makeshift to the human-hating Archos R-14, the cybermenace in Daniel H. Wilson’s far more action-oriented robot-uprising series. Meanwhile, Selbrede’s appealing voice will work for a YA readership not expecting huge tech downloads or widescreen stunts.
Big aspirations get crammed into an engaging tale of a robot with a modest system.Pub Date: Sept. 12, 2018
ISBN: 978-0-359-00957-2
Page Count: 62
Publisher: Lulu.com
Review Posted Online: April 10, 2020
Kirkus Reviews Issue: June 15, 2020
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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