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DREAMSLEEVES

While a few passages lean precariously toward the polemical and the resolutions are pretty quick and tidy, readers will be...

This inspirational story set in the 1960s will resonate with a wide range of readers.

Aislinn O’Neill is expecting big things in the summer before her eighth-grade year. She dreams that her father will quit drinking, that her family will finally own their own home and that a boy named Mike Mancinello will like her. Tall orders all. And it’s not like she gets to devote all of her time to seeing them come true. Aislinn, or A for short, is in charge of her four younger siblings—B, C, D and E—while her parents are at work. Even when her parents are home, she is expected to help with household duties and is forbidden from socializing with her peers by her overprotective, controlling, alcoholic father. Aislinn never loses hope, however, and finally she hits upon an idea that just might work. Everyone needs help to make dreams come true, she reasons, and how can others help if people’s dreams are tucked too deeply inside their hearts to ever be seen by anyone else? Aislinn grabs a label, prints a wish on it, sticks it right on her sleeve and starts a mini-revolution.

While a few passages lean precariously toward the polemical and the resolutions are pretty quick and tidy, readers will be too squarely in A’s court to care. (Historical fiction. 10-14)

Pub Date: April 1, 2012

ISBN: 978-0-545-31020-8

Page Count: 288

Publisher: Scholastic

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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MAPPING THE BONES

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.

A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).

Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)

Pub Date: March 6, 2018

ISBN: 978-0-399-25778-0

Page Count: 432

Publisher: Philomel

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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I AM PRINCESS X

Promising elements aplenty, but they never fully mesh or deliver more than a passing chill.

Cryptic clues in a Web comic put a Seattle teenager onto the trail of a deranged kidnapper and his victim.

Three years after the (supposed) drowning of bosom friend Libby, 16-year-old May is shocked to see new stickers and other merch for “Princess X,” an intrepid swordswoman in a puff-sleeved dress and sneakers that she and Libby had privately invented in fifth grade. The princess’s recently posted online adventures tell a scary tale about escaping from a “Needle Man” years after being stolen as a replacement for his own dead daughter. They leave May convinced that Libby is still alive—hiding out from her clever, relentless captor and imbedding veiled messages in the comic that only May would catch. Said hints lead May and Trick, a hacker dude she goes to for help, on a quest through the city’s seedier and underground quarters to encounters with Jackdaw (a gay, goth Robin Hood) and a desperate scheme to steal proof of the Needle Man’s perfidy. Priest cranks the suspense somewhat by casting the kidnapper as both an IT expert and a killer, but because he mostly appears only in the emotionally charged, sparely drawn purple-and-black comics pages that Ciesemier scatters through the tale’s first two-thirds, he remains, at best, a shadowy bogeyman.

Promising elements aplenty, but they never fully mesh or deliver more than a passing chill. (Thriller. 11-14)

Pub Date: May 26, 2015

ISBN: 978-0-545-62085-7

Page Count: 256

Publisher: Levine/Scholastic

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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