A vigorous, intelligent reworking of familiar SF elements, featuring an American veteran who makes a long, international...



An American on humanity’s first voyage to another star system discovers peril, romance, and considerable mayhem on the contentious project. 

It’s 2069 in Alexander’s (My Life, 2019, etc.) SF novel, and Leif Grettison is a Florida-based veteran who survived “the Troubles,” a Russian-Sino-United States war that scarred the mid-21st century. Now he’s a brainy graduate student with a girlfriend and an EMT job, neither valuing him very highly. Leif impulsively enters a high-profile lottery to select a civilian to go into hibernation for dozens of years at a time on the “starshot,” humanity’s first deep-space exploratory voyage (via a ramjet craft) to another, presumably habitable system, not returning home for nearly 30 years. To his surprise, Leif is told he is the winner—after a front-runner drops out. Leif is disturbed to find that the carefully selected 33-person multinational crew includes bellicose Russians and haughty Chinese still holding childish grudges. In fact, the entire project is largely propaganda, a NASA/International Space Commission gambit to make the world’s superpowers cooperate and expend their energies on a work of pure science rather than trying to kill one another over influence and territory. Leif realizes his own windfall as a token Everyman onboard was no random selection but a calculated move to place a former American soldier amid the team of squabbling, nationalistic scientists in case trouble develops. And trouble sure does. This maiden-voyage setup is a recognizable one, and it’s no secret from the start that Leif will find romance with the bunkmate who despises him the most: a laser-eyed, razor-cheekboned female Chinese pilot (who actually flew against his squad in combat). Still, the author skillfully steers the story. Alexander creates a good number of memorable jeopardy-in-space situations requiring steady nerves and know-how, and he evokes a nicely thought-out alien environment. The author even takes the story past the point where other writers might have pulled the curtain to ruminate on human society’s arbitrary evolutions and political-correctness pettiness (“snowflake” is a term used often here) and how being in suspended animation for long intervals doesn’t help. An opening prologue casting the tale as some sort of neo-Icelandic saga (paying tribute to Leif’s Nordic heritage), written in archaic language, is cute but, unlike the other rich material here, doesn’t really pay off.

A vigorous, intelligent reworking of familiar SF elements, featuring an American veteran who makes a long, international space voyage survivable. 

Pub Date: Nov. 20, 2019

ISBN: 978-0-9993257-6-6

Page Count: 353

Publisher: Self

Review Posted Online: Nov. 7, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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