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OF WEE SWEETIE MICE AND MEN

Knockabout journalist Dan Starkey leaves the mean streets of Belfast for a season of even more violent insanity in the world of professional boxing. Meet Bobby ``Fat Boy'' McMaster, the heavyweight champ of Ireland. Haven't heard of him? That's just the reason Bobby's mentor, Geordie McClean, needs to hire Starkey to do public relations for Bobby's upcoming world championship bout with Mike Tyson (!) and write a book about it all after the champ's given Bobby, a wee sweetie who reads novels and has a sly sense of humor, a decent burial in New York. It looks like a great chance for Starkey to make some money and get out of the war zone he covered so hilariously in Divorcing Jack (1995) while enjoying a much-needed second honeymoon with his estranged wife Patricia. But Patricia, pregnant by her married lover, isn't about to book passage for the New World, so Starkey packs a few clean shirts and takes off with Bobby's entourage for the Big Apple, where Bobby will run rings around Tyson in a joint press conference and immediately incur the wrath of the Sons of Muhammed, a splinter group as violent as the Provos but a lot more inept. Then Bobby's wife Mary is kidnapped, presumably by the Sons of Muhammed, and Starkey is dragged into the fray by two heavyweight ex-NYPD detectives who dwarf even the Fat Boy. But how can Starkey really be sure that it's the Sons who are behind the snatch, when Bobby, training in Provincetown, has also managed to antagonize the gay community, the IRA, and the ferocious sparring partner who keeps threatening to end his career before he even makes it into the ring with Tyson? More relaxed and less wildly funny than Divorcing Jack or Cycle of Violence (1996)—but then that's what you'd expect when the brutality is only a game.

Pub Date: May 1, 1997

ISBN: 1-55970-376-8

Page Count: 336

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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