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SHELTER COVE

From the Resurrection Man series

A tightly written and thoroughly engaging crime tale.

Awards & Accolades

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This sixth installment of a series features the ongoing adventures of a British cop.

For the past three years, Yorkshire-born expatriate Cole Thornton has run a bookshop in the sleepy surfer town of Shelter Cove, California. If the store is notable for anything, it’s for being one of the few businesses not yet bought by local land developer Arlo Rankoff. One day, a car crashes through the window of the shop, destroying Cole’s inventory and nearly killing motel owner and auxiliary police deputy Holly West, who came in to flirt with the Englishman. When Cole gets up and looks into the cab of the vehicle, all that’s left of the driver is his foot on the gas pedal. Soon Ben Gardner, Shelter Cove’s chief of police, arrives. He turns out to be angrier at Cole than at the surf bum he assumes to have driven the car. Gardner feels protective of Holly, the survivor of an abusive marriage, and he senses there’s something fishy going on with Cole. Gardner looks into the missing driver, who soon turns up dead. But Cole has bigger troubles to deal with: He hears that his violent, estranged younger brother, British cop Jim Grant, has been looking for him to settle some old business. First Cole’s ex–sister-in-law drops by to warn him, and then the dangerous man himself appears—out to bring his older brother to justice. Campbell (Beacon Hill, 2017, etc.) writes in a gracefully muscular prose enlivened by drolly cinematic dialogue: “ ‘I keep forgetting this is a litigious society. Poodle power.’ ‘You mean the woman dried her dog in the microwave?’ Cole raised his eyebrows. ‘What was General Electric thinking? Not putting that in the instructions.’ ‘I think it was a Samsung.’ ” The author excels at hiding the ball while still keeping readers invested in the story. It takes a while for Grant to show up, let alone for the main thrust of the plot to be revealed, but such inventive narrative strategies help Campbell keep his series fresh as it moves into its latest volume.

A tightly written and thoroughly engaging crime tale.

Pub Date: Sept. 1, 2018

ISBN: 978-1-4834-8806-6

Page Count: 284

Publisher: Lulu Publishing Services

Review Posted Online: Sept. 3, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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