Next book

MS. NEVER

Existential dread takes on new meaning in a fantastical tale of shifting realities, second-chance romance, and unwanted...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In Dodds’ (Watershed, 2017, etc.) novel, an office worker with supernatural powers begins a relationship with a telecommunications tycoon whose dark, metaphysical secret is equally startling.

Farya Navurian lived on a version of Earth in which the glorious Greater Majestic Anointed Commonwealth of Ohio spanned a continent and her famous astronaut father was a deep-space ambassador. However, it didn’t last because Farya has a mysterious, apocalyptic ability: If she lets her attention wander and daydreams, tracts of reality simply diminish and dissolve, as if they’d never happened. Formerly large cities, such as Camden, New York, are suddenly unremarkable towns, and Ohio becomes a mundane Rust Belt state. During these paradigm shifts, millions of people vanish; only a handful (notably, Farya’s surprisingly easygoing best pal, Ethan) retain memories of incredible, lost cultures and loved ones. Guilt-ridden Farya winds up a downtrodden Jersey City office worker. Meanwhile, wealthy Metacom boss Bryan Lomoigne faces a dilemma. He wittily included a fine-print clause in his company’s cellphone contracts that grants Metacom “Non-Mortal Element Rights” from anyone signing up for their cheap gadgets; in other words, his customers sell their souls to him. Some buy them back at heavy cost, but it’s basically a side hustle for Bryan, who’s the son of a deceased, dissolute rock star who fathered a large number of children. Faced with middle age and a failing marriage, Bryan wants to sell his business and devote himself to buying back his father’s song catalog. But Metacom has unusual business partners who have alarming methods of enforcing their will. When Bryan and Farya meet at a record swap—Thelonious Monk tunes help her maintain her equilibrium—they embark on a relationship despite the considerable paranormal baggage they both try to keep out of sight.  Dodds offers a transfixing, fantastic narrative that first seems like two separate, weird tales. It’s a fabulist, careening plot that’s reminiscent of the late-career, anything-goes fiction of Kurt Vonnegut (such as 1997’s Timequake). The author executes the story with exacting, direct prose and characters who live and breathe in the mind even as their own realities seem built on shifting ground. He keeps the tale moving forward with sublime aplomb even though, at numerous points, the material could have easily gone off the rails. The vanished, fondly recalled Greater Majestic Anointed Commonwealth of Ohio, for example, is only sparingly hinted at; it wasn’t a paradise, but it certainly made for an interesting home address. Although that particular bit of business might serve as a nice metaphor for the mindsets of imaginative SF/fantasy readers who long to escape dreary daily reality, this is too broad and rich a work to pigeonhole as a collection of inside jokes. Instead, it shows great psychological and philosophical nuance, ruminating on relationships, family, commerce, art, sacrifice—and reading the fine print of company terms and conditions. Overall, readers will find it to be an exceptional work.  

Existential dread takes on new meaning in a fantastical tale of shifting realities, second-chance romance, and unwanted business partners.

Pub Date: Nov. 1, 2019

ISBN: 978-0-9721805-9-7

Page Count: 402

Publisher: Dodds Amalgamated

Review Posted Online: Oct. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview