by Colin Kirk ‧ RELEASE DATE: Sept. 25, 2013
An easily accessible overview of Christianity’s remarkable rise and spread.
Kirk (Life in Poetry, 2014, etc.) offers readers a fast-paced, clearly narrated history of Christianity, beginning with Jewish tradition and moving quickly to recountings of the New Testament, Acts, and Epistles.
Although the extent of Kirk’s research is evident, he keeps his chronological narrative accessible to any level of reader interested in Christian history. However, in chapters broken into quick, almost telegraphic paragraphs, his overviews can be controversial: “Nothing in Jesus’ teaching can be regarded as unique to him,” he writes in a typically jolting passage. “Any highly intelligent Jewish young man had been taught to memorize sections of the books of our fathers.” Some of his summaries will strike even his most open-minded readers as a bit far-fetched: “Something of a role reversal took place in sexual orientation, between late adolescent John and Jesus. In his maturity John transformed Jesus into Holy Wisdom, forever feminine.” Nevertheless, the bulk of his synopses are straightforward and insightful, cutting through centuries of accumulated history and commentary with concision and a fair amount of subdued humor, as when he points out that the Roman Emperor Constantine was “a highly successful military genius, at a time when Christianity was still a pacifist religion,” then adding: “His saintliness is questionable.” In particular, Kirk details the complexities of rival medieval Christian theologies with admirable clarity. Major figures from Christian history are presented in their historical contexts, which Kirk often overlays with faith-based details calling out to his intended audience, as when he tells readers that St. Jerome “lived and worked, largely alone, in a cell close to the scene of the nativity in Bethlehem, where Almighty God had taken human form as a baby.” Kirk’s underlying contention is that “True religion engenders compassionate action,” and his concluding chapter, “Contemporary Christianity,” paints a picture of a matured and widespread family of religions intent on bettering the human condition. Generous black-and-white maps and timelines accompany the text.
An easily accessible overview of Christianity’s remarkable rise and spread.Pub Date: Sept. 25, 2013
ISBN: 978-1483694573
Page Count: 334
Publisher: Xlibris
Review Posted Online: April 13, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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