Few books are as relevant for our time as is this one.
A tree-hugger extraordinaire offers myriad compelling reasons to admire, revere and—yes—hug the nearest trunk.
Yet this is no soft, silly paean to treedom. English biologist Tudge (The Impact of the Gene, 2001, etc.) has synthesized volumes of research and presents his resulting work with humor, passion, even panache. He opens with a playful definition, “a tree is a big plant with a stick up the middle,” but soon we are deep into the roots of the subject, learning how trees evolved and how scientists continue to try to classify them. The longest, densest section is a 150-page tour of trees, beginning with the conifers and ending with the eudicots, but making instructive sojourns among the old, the tall, the wide and the weird. He describes one flowering tree whose warm blossoms invite beetles to spend the night and have sex; in the morning, covered with pollen, they depart to spread the tree’s DNA. The author does his best in these middle pages to thin the academic underbrush, but not always successfully. The brisk pace resumes in the final part; an especially strong chapter describes how trees live—for example, how water can rise from the roots of a redwood to its lofty top. Another fascinating section deals with the social life of trees (they’ve learned, unlike humans, how to get along . . . usually) and contains a dazzling set piece about the co-evolution of figs and the wasps that feed on them. The end dovetails nicely with Al Gore’s documentary, An Inconvenient Truth. Global warming threatens trees, which don’t adapt quickly to environmental change, and without them, our own once-arboreal species becomes much more vulnerable, Tudge writes. He urges prudent forestry, increased use of wood products for large buildings and a cold, sober reassessment of the global rush to industrialize.
Few books are as relevant for our time as is this one.Pub Date: Oct. 3, 2006
ISBN: 1-4000-5036-7
Page Count: 464
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2006
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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