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WHOLE AGAIN

From the Hometown Heroes series , Vol. 1

An often entertaining, if predictable, tale featuring mainstays of Southern romances—war veterans, delicate blondes, and the...

In Myers’ (Rael, 2016, etc.) romance, the first of a planned trilogy, a newly divorced socialite can’t wait to start over and live according to her own rules—but then a killer tries to take it all away.

Vicki grew up in a wealthy family and married into another; as a result, she’s grown to feel that all of her decisions in her life have been made for her. After she catches her husband in bed with another woman, she files for divorce. Now settled in a new apartment, Vicki decides it’s time to find work. Despite the novel’s attempts to showcase Vicki as independent, she winds up in a position with the landscaping company that her family owns. But on the day of the interview, a run-in with an old high school crush sends her revamped world spiraling into unknown territory. This meeting is one of many occurrences in the story that are a little too serendipitous and predictable, and the same could be said of John Lawrence himself, who is, of course, tall, dark, and handsome. He’s also a former Marine with an honorable discharge after being injured in combat; it soon becomes clear he doesn’t feel like he’s good enough to have a relationship with Vicki because he’s an amputee. It takes a series of escalating crimes against the young woman by an unknown assailant, from a tire-slashing to outright physical assault, for John’s protective instincts to kick in. But can he save doe-eyed Vicki from the mystery person hell-bent on doing her harm? Myers’ romance is fast-paced and entertaining even if the main character has rather delicate sensibilities at times. Thankfully, Vicki’s grandmother Joonie, who’s smart, funny, and confident, is more engaging; the only time readers really see Vicki let loose is when she and Joonie get tipsy at a senior-citizen costume party. The night ends with Vicki pouring a drink on her grandma and getting smacked with a wig in return. Let’s hope in the planned sequel that Vicki inherits more of Joonie’s personality.

An often entertaining, if predictable, tale featuring mainstays of Southern romances—war veterans, delicate blondes, and the drama of wealthy elites.

Pub Date: May 27, 2017

ISBN: 978-1-5453-6287-7

Page Count: 188

Publisher: CreateSpace

Review Posted Online: May 30, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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