Nine new stories from the author of Brooklyn (2009) and Long Island (2024).
Known for his rich novels of the Irish at home and abroad, as well as his fictionalized portraits of writers Henry James and Thomas Mann, Tóibín is just as adept at the short story—indeed, his understated prose shines in miniature. Two tales in this new collection glancingly intersect with the world of his Enniscorthy novels, introducing characters familiar to readers of Nora Webster (2014). In the title story, Nora’s husband, Maurice, visits the Irish Assembly, or Dáil, hoping to petition a minister for access to a tuberculosis drug that might save his dying brother. Readers are afforded a fly-on-the-wall perspective on Irish politics; Eamon de Valera, president of Ireland in the 1960s, makes a cameo. “A Sum of Money,” in which a hard-up boarding school student begins pilfering cash from his classmates’ lockers, name-checks Nora and Maurice’s son, Donal. Not all the stories are set in the past: “Sleep” concerns a gay man who submits to being hypnotized by a psychiatrist after his younger lover leaves him, while “Five Bridges” features a sad-sack middle-aged Irishman, living in San Francisco without documentation, who must return to his homeland, leaving behind the tween daughter he’s only just getting to know. The longest tale, “The Catalan Girls,” is the least successful of the bunch, following three sisters through the decades after they leave Spain and emigrate to Buenos Aires; it lacks the narrative tension to pull readers through its 100-plus pages. But “A Free Man,” about an Irish schoolteacher convicted of sexual abuse who relocates to Barcelona after serving his prison term, is among the author’s finest work; it’s dark, ambiguous, and quietly, profoundly unsettling.
A distillation of Tóibín’s melancholy, unadorned style.