MURDER BY DEFINITION

The acquisition of a once-noted crime writer’s papers leads to all kinds of trouble for the New York Public Library, the New York Police Department, and the writer himself.

Some writers donate their papers to archives; Will Ford, a has-been with a floridly checkered personal history, wants $100,000 for his. Against all odds, Raymond Ambler, curator of the crime fiction collection, and his sometime allies at the NYPL raise enough money for the material, and that’s when the trouble begins. Reading “The Unrepentant Killer,” an unpublished story Ford claims to have “based on an actual incident,” makes Ray wonder uneasily about the roots of this tale of a corrupt cop who walked away from a bloodbath that left a basement gambler and his prostitute mistress dead. When Ray asks him about the story’s source, Ford claims amnesia, and when NYPD Det. Mike Cosgrove, the pal Ray has told about the story, makes the rounds among his own cohort, he’s warned to back off. Even so, Ray and Mike soon identify to their satisfaction the cold case Ford had fictionalized. Predictably, the case, involving a crime lord, a brothel, and a crooked cop, comes roaring back to life, leaving both Ford and Mike’s ex-partner Lt. Chris Jackson dead and Mike fighting for his life after getting shot in the back. It’s a miracle that Ray, already struggling to revisit the conviction of his son for beating a man to death in a brawl and dealing with the unexpected advances of his co-worker and friend Adele Morgan, has any time to devote to the mystery. Luckily, solving it will take more courage and persistence than imagination or brains.

A conscientious valentine whose librarians come off a lot better than its cops.