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EMPEROR: THE GATES OF ROME

An absorbing portrait of ancient Roman life and history, well written and full of suspense—even for those who know the...

A debut by a British schoolteacher depicts the childhood and early career of Julius Caesar.

In case you’ve forgotten your Suetonius, the later days of the Roman Republic were a rough time for the well connected. The fledging empire had established colonies farther and farther afield, colonies that reaped fortunes but required standing armies. The generals of these armies (who paid for the upkeep of their men out of their own pockets) all became laws unto themselves after a while; the Senate was the ultimate authority, but it was unwieldy, and rife with corruption and factions. When young Gaius, the son of a senator, was growing up, everyone expected that the Senate would soon have to appoint a Dictator—a Caesar—to reestablish order. But who? After his father is killed in a slave uprising, Gaius lives with his uncle, Marius the Consul, one of the leading contenders. Marius has just come back with his Legion from a successful campaign in Africa, but his rival Sulla has balked at allowing Marius and his troops to enter the city, lest the troops establish Marius as the Caesar. Sulla has been making a name for himself as a general and would naturally prefer that the Senate choose him. How does it end? With a civil war, naturally, in which Sulla’s forces drive Marius and his army back to North Africa, then invade Greece to put down a rebellion led by Mithridates. While Sulla is away, however, Marius, having prevailed upon the Senate to declare Sulla a traitor, reenters the city in triumph. Young Gaius—now named “Julius” after his dead father—observes all the maneuverings and learns the most important lesson a Roman statesman can master: Trust no one. It becomes his motto once he is named the Caesar himself, but he makes one exception—for a childhood friend and blood-brother named Marcus Brutus.

An absorbing portrait of ancient Roman life and history, well written and full of suspense—even for those who know the ending.

Pub Date: Dec. 31, 2002

ISBN: 0-385-33660-8

Page Count: 368

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2002

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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