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THE ABBOT'S TALE

Fans of the genre will love this masterpiece of historical fiction.

A 10th-century English abbot tells of his service to seven kings—a story of pride, vengeance, and blood—in a tale abounding with real historical characters.

In 934 C.E., 15-year-old Dunstan of Glastonbury pulls his would-be killer down a cliff and lands on top of him. Only Dunstan survives. “It seems a man can fall a long, long way and live,” he writes, “if he lands on a priest.” His father had taken him and his brother, Wulfric, to an abbey to turn them into men. He’s a highly intelligent lad who has a knack for making dangerous enemies and valuable friends. One day, he descends slowly from a tower scaffold using pulleys and counterweights. A witness believes Dunstan has been carried to safety by an angel. Dunstan confirms the lie and adds that he’d had a vision of a grand cathedral. King Æthelstan believes the miracle of Dunstan and the angel and later makes him Abbot of Glastonbury. Lady Elflaed promises to finance the abbey of Dunstan’s vision. Meanwhile he wants to marry a girl, but he’s persuaded instead to take an oath as a Benedictine monk. The girl had given him a venereal disease, anyway. Dunstan eventually becomes a “humble abbot” whose head is stuffed with pride and ambition. After King Æthelstan dies, Dunstan writes he “was a great man, but he failed to see the worth in me. It follows that he was not without flaw then.” Dunstan tells a grand, lifetime-spanning tale filled with treachery and the deaths of kings—“no man lives forever,” he writes, “not even a king. Especially a king.” And it’s about war, “the great engine of storytelling.” Dunstan admits vile acts to the reader, such as ripping off a blackmailer’s nose with red-hot tongs and letting people believe he’d done it to the devil, a legend still ascribed to him.

Fans of the genre will love this masterpiece of historical fiction.

Pub Date: May 1, 2018

ISBN: 978-1-68177-730-6

Page Count: 480

Publisher: Pegasus

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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