Exciting fare, a yarn well-spun.
Deadly enemies duke it out for control of the Persian throne in Iggulden’s latest historical adventure (The Abbot’s Tale, 2018, etc.).
It’s 401 B.C.E, and King Darius tells his eldest son, Artaxerxes, that one day he must murder his younger brother, Cyrus, when the old man dies. It’s what Darius himself did—it’s what Persian kings did to gain and safeguard their thrones. But the adult Cyrus “knew he had been born loyal” and accepts that he will never be king. So matters get most unbrotherly when Darius dies and the new “god-emperor” Artaxerxes orders his brother executed despite the latter’s protestations of loyalty. Their mother puts a stop to the immediate fratricide, but soon the two enemies gather armies to do battle. The king’s massive array of troops vastly outnumbers that of the underdog Cyrus, who has Spartans, Persians, Greeks, camp followers, scant gold for his mercenaries, and desperately little food. Copious amounts of blood flow and many heads roll in scenes of vicious violence and betrayal. Readers might not want to get too attached to any favorite character, because no one’s fate is guaranteed. There are no dull moments in the tale, because in between battles, Cyrus’ army struggles to live off the land and survive the heat, “a living thing, a tongue of flame that flickered and pressed among the marching men.” Meanwhile, the war cost Artaxerxes “unimaginable sums in gold.” But he is determined: One man will win, and the other “will feed the kites and crows. It is just the way of things.” Valiant Spartans rip into Persian ranks, but the Persians simply replace their dead with an apparently endless supply of fresh troops. This is a well-researched tale of heroism and hardship, honor and betrayal in which anyone’s life can disappear with a filth-tipped arrow or the slash of a kopis.
Exciting fare, a yarn well-spun.Pub Date: Feb. 5, 2019
ISBN: 978-1-64313-056-9
Page Count: 448
Publisher: Pegasus
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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