Designer names and hackneyed plot can’t liven up this tawdry, uninspired soaper from the author of Big Girls Don’t Cry...

P.G. COUNTY

Schemers and sluts in Prince George County.

Anyone who can walk the walk and talk the talk can shine in the upscale black enclave of Maryland’s Silver Lake. Long as they got the money or credit, that is—or so says Pearl, a hairdresser who struggled and saved for years to move into the neighborhood and get her son Kenyatta into the right schools. But now that Kenyatta’s grown, he can’t seem to get it together, and he’s even dating a white girl, to Pearl’s dismay. Well, worse things happen: Barbara, the alcoholic wife of self-made software millionaire Bradford Bentley III, swallows her pride and about a fifth of vodka every day because her husband cheats. At the moment, he’s sneaking out to see Jolene, the ambitious, wayward daughter of a judge, who’s looking to dump her cheapskate husband Patrick for someone richer. Back to Kenyatta’s white girlfriend: her mother, Candice Jones, has been tracing her family’s ancestry on the library microfiches and is aghast to discover that some were listed on old census records with a capital M on the line for race. As in mulatto. So she’s not really white, and neither is her daughter! What’s a card-carrying liberal like Candice going to do? Well, not announce the amazing news, that’s for sure. Segue to the ’hood, where 16-year-old Lee runs away and becomes a prostitute after a brutal rape at the hands of her uncle Clive. Life on the streets soon palls, and her nasty pimp is threatening to beat her up. Lee, undaunted, has high hopes of finding her real daddy, and she has a clue: he lives in Silver Lake. All is resolved during a gun-waving finale at Jolene’s posh party.

Designer names and hackneyed plot can’t liven up this tawdry, uninspired soaper from the author of Big Girls Don’t Cry (1996), etc.

Pub Date: Sept. 17, 2002

ISBN: 0-385-50161-7

Page Count: 368

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2002

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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

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WHERE THE CRAWDADS SING

A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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