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The Good Daughter

SECRETS, LIFE STORIES, AND HEALING

An honest, painful yet humorous account of seeking unconditional love.

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In this intimate memoir, the only child of aging parents describes her struggles to balance caregiving, marriage, and career, and to reconcile daughterly devotion with childhood wounds.

Mother, wife, and the founder of an international school, overachiever Shoemaker found that her need to please everyone was outmatched by the demands of her domineering mother, Mildred, and the physical ailments of an easygoing father, Jim, who developed Alzheimer’s. When both parents moved to a nursing home due to declining health, Jim was housed apart from Mildred, who bitterly withdrew from her husband and criticized Shoemaker. “I visualize my mother wrapping a long rope around her waist,” the author writes, “handing one end of it to me, and jumping off a bridge.” Flashbacks to life in Cairo and childhood pressures to compete helped Shoemaker decide to change this lifelong sense of inferiority. Simultaneously trying to draw closer to and assert more independence from a mother who still intimidated, Shoemaker felt inadequate and withdrew from her husband, whose own feelings of neglect were buried behind a similar childhood upbringing concerned with how a man should behave. By urging her mother to collaborate on this memoir, Shoemaker discovered the tender side of Mildred and uncovered secrets that more fully explain her mother’s seemingly heartless choices. Aside from black-and-white photos from her mother’s scrapbooks, five pages of questions for “Life Review” follow the narrative, though they’re rather generic and unnecessary. This memorable book’s real achievement is that much of it would be mundane were it not for Shoemaker’s gift for description. Also a poet, she crafts dialogue and situations to create scenes that can be funny, heartbreaking, or frightening. However, the more Shoemaker stands up to her mother, the more Mildred dominates the story, and the tales of Shoemaker’s pupils, fascinating in themselves, drop out of the text.

An honest, painful yet humorous account of seeking unconditional love.

Pub Date: April 15, 2015

ISBN: 978-0-9864253-0-1

Page Count: 254

Publisher: Amity Bridge Books

Review Posted Online: July 28, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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