A passionate, dreamlike memoir that draws you into its reverie.

THE TALE OF THE ROSE

THE PASSION THAT INSPIRED THE LITTLE PRINCE

A literary memoir from the wife of one of the most beloved figures in children’s literature.

Consuelo Carrillo met the famous French writer and pilot Antoine de Saint-Exupéry in Buenos Aires within a year of being widowed from her first husband. The smitten Antoine proposed on the night they met. Overwhelmed by his romantic interest in her, Consuelo fled to France—and Antoine (bearing the gift of a caged puma) quickly followed. This present would prove an apt metaphor for her relationship with the voluble aviator, for Consuelo suffered greatly from the mercurial Antoine’s impulsiveness. Even while Antoine was still deeply in love with her, he always seemed to be on the move, either leaving for one of his flights or uprooting their home and relocating it to some new part of Europe or French West Africa. Finally, after he crashed in Libya and went missing for several days, Consuelo had what can only be described as a nervous breakdown. It was after this that Antoine withdrew emotionally as well as physically from his troubled wife, taking on a mistress and setting up separate homes for himself and Consuelo. Yet he could not bring himself to break completely with his wife, and whenever she seemed on the verge of leaving him for good either circumstance or Antoine himself would conspire to bring her back. He had an endearing childlike wonder at the world around him (matched by an equally childlike selfishness), and he would inevitably repeat his pattern of physical and emotional abandonment upon Consuelo’s returns. This she endured until Antoine disappeared over France during a reconnaissance mission in 1944.

A passionate, dreamlike memoir that draws you into its reverie.

Pub Date: July 3, 2001

ISBN: 0-375-50564-4

Page Count: 336

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2001

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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