MISCONDUCT OF THE HEART

In this novel of one woman’s daily travails, Strube (On the Shores of Darkness, There Is Light, 2016, etc.) offers a Canadian perspective on a range of contemporary issues, from immigration to PTSD to corporate greed to rape.

“Inactive alcoholic” Stevie is kitchen manager at a Toronto chain restaurant where she fights daily to maintain quality despite increasing corporate demands that her location cut corners. Chappy’s is a richly drawn, darkly comic world filled with the clashing cultures of a mostly immigrant staff, an incompetent boss whose ego Stevie adroitly manipulates, and frequent equipment problems. But the chaos also yields camaraderie, and Stevie feels more relaxed at work than in her own apartment, which she shares with her 23-year-old son, Pierce. He has returned from Afghanistan psychologically damaged, but their relationship has always been troubled. Pierce remembers a childhood in which Stevie mostly avoided her parental responsibilities and sometimes physically mistreated him. All true, Stevie acknowledges, but she has never told him the darker truth: Pierce was the product of a gang rape when Stevie was a young teen, a memory she spent her remaining adolescence and early adulthood escaping in self-destructive behaviors involving alcohol and sex. Even now, anxiously fretting over Pierce’s fragile state, she cannot admit feeling maternal love. A prickly, self-aware narrator, Stevie is a woman who, despite being liked by others, eschews emotional involvement. Then two people enter Stevie’s life: Gyorgi, a busboy from Eastern Europe around Pierce’s age who has always known he was the product of rape yet maintains a loving relationship with his Roma mother; and 4-year-old Trudy, whose drugged-out mother abandons her at Stevie’s parents’ doorstep with a note implying Pierce is her father. There may be more melodrama than necessary, but even as intimacy and affection slip into Stevie’s life, the gritty narration holds sentimentality at bay.

Forget Canadian “niceness”; Strube’s angry, hard-boiled characters confront the same ugly problems found below the 48th parallel.