by Corey Taylor ‧ RELEASE DATE: July 16, 2013
Mostly fun campfire ghost stories marred by pseudo-scientific babble and a self-conscious rock-star attitude.
Slipknot singer sees dead people.
Apparently, Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good, 2011) has backstage passes to the spirit world that not many of us are privileged enough to get: He not only sees ghosts on a regular basis, but he’s also convinced that the same spooks are haunting him everywhere he goes. His first recollection of seeing ghosts was around the age of 9, when he and some friends went on a Goonies-like adventure to a scary-looking old house in his suburb. In that house, he saw his first sinister apparition, which seemed to be an old man who wanted the young whippersnappers out of his house. From then on, according to Taylor, his life has been one big spook-tacular extravaganza filled with supernatural occurrences. (Later in the book, the author does his tedious best to scientifically prove that these spirits can, in fact, walk the terrestrial plane among us.) Taylor recalls stories about seeing a shadow man in a cornfield trying to attack him; he was once pushed down the stairs by a malevolent, otherworldly force; every time he buys a new Munsters-style mansion, it turns out to be haunted by the spirits of dead children. To Taylor’s credit, all these anecdotes about his close encounters with the spirit world are told in exacting detail, and you certainly want to believe him. Unfortunately, insecurity about how his theories and stories will be received comes to the fore in a big way: Taylor alternates between annoying self-deprecation and smug self-congratulation, spending too much time on humorless, expletive-laden rants against those who would dare question his place among the elite few who have regular interface with supernatural beings.
Mostly fun campfire ghost stories marred by pseudo-scientific babble and a self-conscious rock-star attitude.Pub Date: July 16, 2013
ISBN: 978-0-306-82164-6
Page Count: 256
Publisher: Da Capo
Review Posted Online: June 8, 2013
Kirkus Reviews Issue: June 15, 2013
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by Corey Taylor
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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