A likable protagonist and fantasy elements make this well-trod ground feel fairly fresh

TRUTH IN SIGHT

From the Cici: A Fairy's Tale series , Vol. 2

A fledgling Latina fairy learns she must use her magic responsibly.

Quintessential preteen Cici is trying to make sense of a turbulent time in her life: her dad has moved out, she's lost her best friend to the popular clique, and she's learning to control her nascent fairy powers. She has the "fairy sight," which means she sees people with a sort of enhanced vision that helps her understand them (for example, she sees her harried mother as a multitasking octopus). One day at school she finds popular white classmate Kendra's beloved princess doll (fairy sight reveals Kendra to be something of a princess as well). Cici, seizing the opportunity to use her powers, chooses to wield them in an unkind way. When Abuela, also a fairy, finds out what she has done, Cici must own up to her wrongdoings. The plot—a friendship-tinged riff on the "with great power comes great responsibility" theme—is instantly familiar, even with the fantasy elements. Doused liberally with a comely array of warm pinks and purples, the panels have a keen focus on facial elements and hold a high visual appeal. Though this series outing doesn’t explore its issues with much real depth, the pleasing style and familiar subject matter help to compensate, leaving this with a very episodic, sitcomlike feel.

A likable protagonist and fantasy elements make this well-trod ground feel fairly fresh . (Graphic fantasy. 7-12)

Pub Date: Sept. 1, 2016

ISBN: 978-1-4677-6153-6

Page Count: 48

Publisher: Graphic Universe

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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What a wag.

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DOG MAN

From the Dog Man series , Vol. 1

What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Man comics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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