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WILLIAM JENNINGS BRYAN

A DIFFERENCE MAKER

A beautifully designed work limited by its rose-colored admiration of a flawed, complicated politician.

A debut biography focuses on the life of William Jennings Bryan.

As the wife of Bryan College’s president, Livesay saw the need after nearly two decades with the institution “for students and alumni of the College to understand the significance and uniqueness of” its namesake, one of the most important politicians of the early 20th century. From the outset, it is clear that this book is not a critical assessment of Bryan’s life, but a celebration. Eschewing the chronological conventions of biographies, the author instead divides her work thematically into five sections that explore Bryan’s family life, his turbulent political career, his oratorical prowess, his religious activism, and his place in America’s historical memory. The author paints Bryan as a principled common man worthy of contemporary admiration. In particular, she highlights the paradox of Bryan as an unwavering religious fundamentalist who championed progressive politics. The same man who advocated for the income tax, women’s suffrage, business regulations, and fair labor laws also led the crusade against teaching evolution in public schools and was one of the nation’s first radio evangelists. Yet the strength of Livesay’s book is not its biographical information, which is rather encyclopedic, but its gorgeously designed pages. Nearly every page features photographs, charts, maps, timelines, or other visual aids that collectively form a polished, accessible, and engaging work. Unfortunately, readers looking for nuance will be disappointed by the author’s lack of critical analysis, which is no doubt in part due to the volume’s connection to Bryan College, a conservative Christian school founded in the wake of the politician’s anti-evolution campaign in the 1920s. For example, though Bryan at times lived in the South and was a beloved figure among white Southerners, Livesay is silent on the statesman’s ambivalence toward segregation and black disenfranchisement, two defining features of Southern politics. More context on the Populist and Progressive eras would also help readers see Bryan not just as a self-made, “great” man, but as the byproduct of grassroots movements as well.

A beautifully designed work limited by its rose-colored admiration of a flawed, complicated politician.

Pub Date: Sept. 1, 2019

ISBN: 978-0-9980305-0-0

Page Count: 208

Publisher: Bryan College

Review Posted Online: Oct. 22, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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