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WHAT BEAUTY THERE IS

Riveting and unforgettable.

“If you had one chance to save everything that mattered to you, would you grab hold of it?

When Jack, 17, comes home from school to find his mother hanging from a ceiling fan, his first concern, once he realizes he cannot save her, is to protect his brother, second grader Matty. Jack’s been holding the family’s increasingly untenable situation together for 7 years, since his meth-dealing daddy went to prison and his mama spiraled into addiction. Now Mama’s dead, Child Protective Services is calling, and their house is about to be auctioned. The only way out Jack can see is to find the briefcase of drug money his father supposedly hid before his arrest. Meanwhile, a second narrative voice, opening each chapter, is revealed to be that of Ava, daughter of Jack’s father’s partner in crime. Ava knows her father is a murderer and a psychopath whom she’ll never escape; Jack remembers, but can no longer connect with, a father who loved him. Ava understands their connection though Jack does not—she aligns herself with Jack and his search in an effort to break free of her fate despite believing his efforts are doomed. Intense, brutal, and searingly honest, Anderson’s debut features intricate plotting and action that hold up against the best thriller novels, yet it is all the more remarkable for its tender, multidimensional characterization and sharp, crystalline prose. Main characters read as White.

Riveting and unforgettable. (Fiction. 14-adult)

Pub Date: April 6, 2021

ISBN: 978-1-250-26809-9

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: Feb. 4, 2021

Kirkus Reviews Issue: March 1, 2021

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CLAP WHEN YOU LAND

A standing ovation.

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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.

Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.

A standing ovation. (Verse novel. 14-18)

Pub Date: May 5, 2020

ISBN: 978-0-06-288276-9

Page Count: 432

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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