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THE HEDGEHOG OF OZ

Old-world charm and adventure.

A bespectacled hedgehog named Marcel finds himself on a familiar journey home.

Marcel lives in the rickety, unused balcony of an old movie house, the Emerald City Theater, along with his two chicken friends who escaped from a poultry truck. They live on scavenged candy and popcorn from the concession stand. Marcel’s favorite showing is the weekly matinee of The Wizard of Oz, as he already has most of it memorized from viewings at his former home with a girl named Dorothy who wore red high-tops. After the theater closes for business, the three friends are captured by humans. Marcel is shut up in a box and taken on a truck ride to the countryside, where he is abandoned. He tumbles into Mousekinland, a colony of mice who help him on his way. As he follows the smell of buttered popcorn back to town, Marcel can’t help but notice how his journey bears a striking resemblance to the plot of a certain movie. Woodland critters fill in for the movie characters, and while readers who are familiar with the classic 1939 film will get the most out of the story, the book’s emotional core stands independent of this frequently referenced material. Leonardo incorporates poignantly grand feelings, such as loss and abandonment, into these small animal characters. The humans seem to be White by default apart from the brown-skinned theater owner.

Old-world charm and adventure. (Fiction. 8-12)

Pub Date: Feb. 23, 2021

ISBN: 978-1-5344-6759-0

Page Count: 336

Publisher: Aladdin

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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THE ONE AND ONLY IVAN

From the One and Only series , Vol. 1

Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new...

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  • New York Times Bestseller


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How Ivan confronts his harrowing past yet stays true to his nature exemplifies everything youngsters need to know about courage.

Living in a "domain" of glass, metal and cement at the Big Top Mall, Ivan sometimes forgets whether to act like a gorilla or a human—except Ivan does not think much of humans. He describes their behavior as frantic, whereas he is a peaceful artist. Fittingly, Ivan narrates his tale in short, image-rich sentences and acute, sometimes humorous, observations that are all the more heartbreaking for their simple delivery. His sorrow is palpable, but he stoically endures the cruelty of humans until Ruby the baby elephant is abused. In a pivotal scene, Ivan finally admits his domain is a cage, and rather than let Ruby live and die in grim circumstances, he promises to save her. In order to express his plea in a painting, Ivan must bravely face buried memories of the lush jungle, his family and their brutal murder, which is recounted in a brief, powerful chapter sure to arouse readers’ passions. In a compelling ending, the more challenging question Applegate poses is whether or not Ivan will remember what it was like to be a gorilla. Spot art captures poignant moments throughout.

Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new generation of advocates. (author’s note) (Fiction. 8-12)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-199225-4

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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