Young love intensifies the action in this sequel.
In this YA fantasy sequel to The Gatekeeper’s Son (2014), Fladmark’s heroes must meet the increasing threat of the reptilian Evil Ones.
James “Junya” Thompson is the teenage heir to his grandfather’s business empire. He was raised in Japan, but his family now lives in San Francisco, where he learned of the Gatekeepers—warrior women who can travel instantaneously to anywhere on Earth and between otherworldly realms. After being bitten by Bartholomew, the leader of the reptilian Evil Ones, James bonds with Shoko, a Gatekeeper his own age. She brings him to a hot spring near the Himalayas to treat his mostly healed, though still occasionally painful, wounds. The Kannushi, or high priest, of Izumo (Shoko’s world) believes that the residue of Bartholomew’s dark power is what allows James to travel as the Gatekeepers do. In the mountains, James and Shoko learn that the shaman of a nearby village has been killed by something the locals call “the Black Life-Stealing Fiend.” James senses that Evil Ones committed the murder, and Shoko determines that they’re targeting shamans who perform ceremonies near open gateways. Keeping the realm of the gods safe is her first priority; James, meanwhile, hopes to woo her, so he stays close, working to master the powers growing within him while also spending time with his best friend, Mack Anderson. Fladmark expands the emotional scope of the series when Shoko asks James early on, “Why do you want to be alone with me?” Teenage yearning is at the core of this sequel (“I ran my hand over her stomach, taut with muscle yet still soft”), but the book also maintains a philosophical edge: Shoko says that “expectations are the root of all turmoil,” and when a trendy new app is proposed to help quell the masses, James asks a room of overpaid businessmen, “If keeping people happy is the goal, then why not give everyone a fair share?” Action fans won’t be disappointed, though, as the heroes train a youthful army to battle the Evil Ones. Shoko’s late-stage epiphany sets up a potentially calamity-filled next installment.
Young love intensifies the action in this sequel.Pub Date: Feb. 12, 2017
ISBN: 978-0-9937776-3-9
Page Count: 390
Publisher: The Shokunin Publishing Company
Review Posted Online: Oct. 18, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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