An illustrated, fast-paced view of the world as a happy struggle to achieve enlightenment.
A spiritual view of the universe that encourages people to battle to uncover their true selves.
In his nonfiction debut, Kolavo acknowledges that people tend to ask the same big-picture questions of life: “Why are we here? What is the purpose of life? What is the purpose of creation?” In the expansive and inventive worldview put forward in these pages, the answers to these and other questions revolve around how well each person perceives what Kolavo calls the “universal law” that says: “All of life’s experiences happen for a reason and the Universe does not make mistakes”—a law he refers to as “God’s Game Plan.” In his view, all humans are naturally a part of the “School of Life,” with a “Bodyguard” that is their ego and a “Sleeping Giant” that is their soul, and they can choose whether or not to awaken to their true potential or continue to be mired in the shallow day-to-day details of life. We’ve all “been sleepwalking for generations,” the author contends, but we are essentially spiritual beings encased in flesh. “When Body and Soul reunite as one, you will be transformed,” Kolavo writes. In one fanciful sequence after another, Kolavo describes the process of transforming your Sleeping Giant into a guardian angel, of awakening to your true spiritual potential and thereby becoming a “Supernatural Human” right here on Earth, or someone who sees reality for what it is, not merely what science instructs it to be. The narrative is peppy and involving throughout, and Kolavo, borrowing strategies from popular self-help gurus like Wayne Dyer, frequently asserts things for which there is no scientific evidence (that all humans are born with souls) or makes statements that others will see as self-evidently false (such as that what doesn't kill you makes you stronger). Experienced self-help readers will know to navigate such sentiments with care, and they'll find plenty of good material to warrant the effort in these pages, playfully illustrated by Jensen (Pablo and Koji: Best Friends Forever, 2019, etc.).
An illustrated, fast-paced view of the world as a happy struggle to achieve enlightenment.Pub Date: March 8, 2019
ISBN: 978-1-982223-14-4
Page Count: 158
Publisher: BalboaPress
Review Posted Online: Feb. 3, 2020
Review Program: Kirkus Indie
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
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