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STOLEN VALOR

From the Carson Brand series , Vol. 1

An impressively violent adventure that moves at a quick pace.

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Rainey’s (Massacre at Agua Caliente, 2018) action-adventure series starter tells of one man’s journey from construction worker to deadly foe of a drug cartel.

Carson Brand, whom everyone calls “Brand,” is a man who’s good with a hammer—he makes a living constructing buildings in the greater San Antonio, Texas, area—as well as with his fists. When he’s not working, he likes to cool off by having a few drinks at a local bar, but if trouble should spring up, he’s not one to back down from, or lose, a fight. He also enjoys taking weekend trips to Mexico during downtime with his longtime friend and colleague Bert. While these excursions are mostly harmless fun, they also find that they sometimes get into trouble south of the border. This is particularly the case after Bert, a married man with a reputation for philandering, messes around with the wrong woman. One day on a job site, an altercation breaks out between Bert and a man who claims that the former was touching his girlfriend: “Bert’s all-consuming desire for the fairer sex seemed to keep him continually poised at the brink of catastrophe.” The incident seems minor, at first, but Bert and Brand’s next trip to Mexico results in mayhem. Once the dust settles, Bert is dead, and Brand will learn that there was more to his friend than he knew. It turns out that Bert was involved with a drug cartel that ultimately found reason to eliminate him. Now, Brand is next on their list of targets. Will he have what it takes to survive an onslaught of professional killers? Some of the novel’s early sections drag a bit; for example, the most exciting thing that happens during Bert and Brand’s initial trip to Mexico is that they eat with a local cab driver. However, the pace quickens with plenty of scenes involving bullets, punches, and harrowing escapes; soon after Brand seduces a dangerous woman, for instance, he’s breaking through a cheap motel wall to get at some bad guys. The main problem with the narrative, though, is that there simply isn’t very much for Brand to learn. The very first scene of the novel shows him wiping the floor with a barroom foe, so readers never feel that he’s in much danger later on; if he learns anything from his adventure, it’s that he’s every bit as tough as he imagined—if not more so. Certain portions of the novel can be somewhat repetitive, as when Brand repeats information about Bert to the police even though the reader already knows exactly what happened. Ultimately, though, the book does manage to build up some suspense, as the protagonist leaves a trail of bodies in his wake; one can’t simply kill bad guys indiscriminately without paying some kind of price for it, eventually. What that price will be remains in play until the very end of the novel, when Brand’s circumstances are inevitably altered.

An impressively violent adventure that moves at a quick pace.

Pub Date: N/A

ISBN: 978-0-692-04387-5

Page Count: 347

Publisher: Craig Rainey Publishing

Review Posted Online: May 14, 2019

Kirkus Reviews Issue: June 15, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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