Briskly sending up fraying Southern social traditions, this hilarious debut celebrates one value that’s universal: true...

NEVER SIT DOWN IN A HOOPSKIRT AND OTHER THINGS I LEARNED IN SOUTHERN BELLE HELL

Fresh from a series of boarding-school expulsions, Jane, 17, returns to Bienville, Ala., to cap her high-school career.

Residing with Grandmama, who is intent on turning her into a Southern Belle, Jane enters a longstanding beauty—sorry, achievement—pageant, introducing the cream of wealthy, white Bienville maidenhood to society. She’s appalled to be selected as one of five Magnolia Maids; but times are changing. Recovering from a massive oil spill and seeking to attract investment, town leaders hope to project a modern, diverse (post-Emancipation) image. Along with traditional belles Ashley and Mallory, this year’s Maids include Zara, daughter of the African-American communications tycoon who's bringing needed jobs to his hometown; Brandi Lyn, representing Bienville’s disadvantaged residents; and Jane, straddling categories. (Her mom was a town blueblood; her Greek shipping-magnate dad anything but.) When not engaged in Maid duties, Jane obsesses over Luke Churchville, whom she was sent to boarding school to get away from but never stopped thinking about. While diversity is easier to say than practice, the girls discover sisterhood is powerful, and getting even with two-timing boyfriends while wearing hoopskirts is a great leveler. (For best results, avoid vodka.)

Briskly sending up fraying Southern social traditions, this hilarious debut celebrates one value that’s universal: true friendship. (Fiction. 12 & up)

Pub Date: June 14, 2011

ISBN: 978-1-60684-131-0

Page Count: 304

Publisher: Egmont USA

Review Posted Online: May 4, 2011

Kirkus Reviews Issue: May 15, 2011

Did you like this book?

No Comments Yet

Engrossing, contemplative, and as heart-wrenching as the title promises.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

Riveting, brutal and beautifully told.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

more