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THREE FOR SHIP

A SWAN SONG TO DARTMOUTH BEER PONG

Colorful and adeptly written, though it gives off harsh vibes of immaturity.

A former Dartmouth student reflects on his 10-years-past college career devoted to playing drinking games.

In his debut memoir, Knight tries to explain why he spent most of his time at Dartmouth, a prestigious Ivy League university, drinking until he blacked out in his fraternity’s foul basement. Although he writes that this book “will not be a chronicle of my descent into substance abuse,” that’s exactly what it becomes. As he tells a career-services officer late in his senior year: “You wouldn’t believe how rarely I attend class and when I do I’m usually drunk or hungover. The only thing I care about at Dartmouth is Pong.” (“Beer Pong” is a popular drinking game said to have been invented at Dartmouth; Ship, from the game Battleship, is a variant.) Knight is an intelligent, skilled and vivid writer, making it plausible he could have gotten by so long on so little effort. Most of this skill is devoted to lively but endless descriptions of drinking and vomiting, or “booting.” For example, he drunkenly encourages his friends “to boot on me as much as you like. This is Poncho Night.” Knight manages to convey the lure of group affection behind the fraternity’s beer hall–like boasting, feats of skill and drinking contests. But he often seems disengaged from his story’s implications. He writes passages in the third person (using his college nickname, “Balls”) that show his alienation yet deny responsibility, as if someone else made these decisions. Knight seems stuck in the past, still finding Ship more meaningful and substantive—“a sacred ritual” even—than spending time going to classes would have been. His college years were an “ongoing charade,” but, he says, “Even ten years later…my nostalgia for Ship has not abated in the slightest.”

Colorful and adeptly written, though it gives off harsh vibes of immaturity.

Pub Date: July 30, 2013

ISBN: N/A

Page Count: 248

Publisher: Fuzzy Plum Press

Review Posted Online: Jan. 30, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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