An engrossing depiction of the Vietnam War.
A medic recollects a year of service during the Vietnam War.
Debut author Hinson volunteered to work as an Air Force medic in Vietnam for one year starting in March 1967. On the fourth day following his arrival at the Air Evacuation Hospital in Da Nang, he was sent on a mission to retrieve wounded soldiers when the C-130 cargo plane transporting him was forced down. His group—led by Green Berets—stumbled upon a Viet Cong patrol, and the author was forced to shoot and kill an enemy soldier with a shotgun. That shotgun became his constant companion during his year of service, which routinely included similarly perilous missions. He developed a reputation for grace under pressure—and a willingness to accept dangerous assignments. Hinson often went on assignments with Air America, a CIA–supported but civilian-run airline used for classified transportations. He once learned, at the conclusion of a trip, that his plane was ferrying 500 pounds of opium paste. Another CIA flight carried a bedroom set for a general from the Philippines. The author recounts his brushes with death with both humor and gravity by turns; once a piece of shrapnel was prevented from piercing his chest by a collection of Hemingway stories. Another time, Hinson dove into shark-infested waters to rescue a lieutenant; he only learned there were sharks after he was roundly congratulated for his bravery. Hinson’s memoir comprises a series of generally brief recollections, presented more impressionistically than chronologically, each a trove of action and insight. Accompanying the author’s quick wit is a gimlet-eyed appraisal of war in general: “War is a terrifying and violent environment. Human beings do brutal things to other human beings without remorse and without pity. All wars are alike, whether people are hit with rocks or vaporized with nuclear weapons.” Hinson’s remembrances are deeply absorbing and supply an ideologically unencumbered meditation on human nature.
An engrossing depiction of the Vietnam War.Pub Date: Nov. 7, 2017
ISBN: 978-1-5255-0424-2
Page Count: 294
Publisher: FriesenPress
Review Posted Online: Jan. 4, 2018
Kirkus Reviews Issue: March 1, 2018
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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