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THE SHEPHERD'S CALCULUS

Sure to please fans of governmental intrigue and fast-paced suspense; puts swift prose, commanding characterization, and...

Religion and politics prove malevolent bedfellows in this serpentine debut that employs a variety of modern, headline-making conundrums.

Farrelly’s riveting political thriller begins with the momentous death of a Jesuit priest coinciding with the faltering re-election prospects for an American president. The accidental demise of Father James Ingram, president of Ignatius University, has journalist Peter Merrick upset, particularly because Ingram was his mentor. Merrick had just returned from a harrowing reporting assignment that took its toll on both his emotional and physical well-being. Meanwhile, incumbent conservative U.S. president Arthur Wyncott becomes anxious when his bid for re-election seems to be tanking as popularity surges for his Independent party opponent, Thomas Archer. Bolstered by the promised votes from proletariats and minority and Catholic demographic groups, the heat is on for Wyncott to lure those undecided voters back to his side of the political race. The church, ever in the midst of a sexual abuse scandal, has seen better days, and Wyncott soon becomes desperate to reverse the damage at any cost. Boston-based Cardinal John Mulcahy employs the nefarious head of the U.S. Conference of Catholic Bishops, Bishop Owen Feeney, to micromanage and assuage the damage from the ballooning multimillion-dollar scandal as more and more abuse victims come forward. Farrelly dexterously reveals plot points (crowned with a sordid coverup scheme) and allows them to develop gradually as the presidential election nears. Merrick finds himself embroiled in the melodrama after he is asked to write Ingram’s eulogy, which requires some research into his instructor’s history. In his friend’s belongings, he finds unopened, returned letters to the victims of abuse occurring at various parishes he’d been assigned to. Merrick’s diligent spadework reveals the somewhat unsurprising true culprit. Even the supporting characters and subplots are compelling, including Merrick’s wife, Emma, their marital back story, and particularly Ally Larkin, President Wyncott’s astute campaign assistant, who emerges as an ethical, clever woman whose nobility and keen sense of right and wrong help guide her-decision making, even as the stakes veer higher and the manipulative political machinations multiply. By the time this page-turner reaches maximum velocity, a fine balance has effectively been established between political intrigue and religious scandal. Though probably not a good fit for world-weary readers looking for an escape, Farrelly’s command of hot-button issues is impeccable. The priest abuse scandal seems ripped from today’s newswires as much as the desperate, calculated political maneuvers of a presidential candidate up for re-election. Readers will find themselves in for a striking, remarkable politically correct political thriller with a conscience.

Sure to please fans of governmental intrigue and fast-paced suspense; puts swift prose, commanding characterization, and contemporary hot topics to grand use.

Pub Date: Oct. 3, 2017

ISBN: N/A

Page Count: 272

Publisher: Cavan Bridge Press

Review Posted Online: Sept. 19, 2017

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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