An important work that gives new life to old and important songs.
When children see Harriet Tubman on the new U.S. postage stamp, they can learn of her legacy from this literary homage to “the Moses of her people.”
A compilation of 13 Negro spirituals that originated in American slavery, this volume offers sheet music for each song alongside a brief commentary about its biblical and/or historical origins. Wood accompanies each song with colorful images that echo the slave past and both identify some of the hardships faced and also point to rays of hope that existed for them. In several of these commentaries, Grady asks readers questions to encourage them to explore the images more closely or to think more deeply about what it might have meant to be enslaved. On nearly every page appears a white dove, which echoes Harriet Tubman’s dreams of flying “over the landscape ‘like a bird’ ” to freedom. Unlike the portrayal of slaves in a few recent controversial picture books, the slaves depicted here rarely smile and often look distraught and somber—except on the page accompanying the final freedom song. In addition to learning about Tubman, readers will glean important historical tidbits about others such as Nat Turner, James Lafayette, abolitionist John Rankin, and Abraham Lincoln. Backmatter offers further reading suggestions, a glossary of relevant terms, and websites.
An important work that gives new life to old and important songs. (Informational picture book. 5-10)Pub Date: Sept. 1, 2016
ISBN: 978-1-4677-8550-1
Page Count: 40
Publisher: Millbrook/Lerner
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
In the end, however, they all testify to something important: Presidents are only men (so far, anyway) and capable of every...
This gathering of presidential foibles and fancies covers the gamut, from George W. the First to Barack.
Each is set as either a poem (rhymed and free verse) or a prose poem, and all display a handling of language that both is comfortable and exhibits a certain degree of flash. Of one-eyed James Buchanan: “So he cocked his head to focus. / He could tilt his view toward a distant star, / ogle an ash on a nearby cigar, / or peer halfway to Zanzibar. / Was there anything he didn’t notice?” Neubecker’s illustrations are wonderful puddles of colorful personality, true to the text but amplifying it (or further poking a sharp stick into the presidential eye). The only concern here is that some of the presidential tics are a bit dull. Of course, no one will deny the import of blubbery William Howard Taft wedging himself into the White House tub and needing a team of assistants to extricate him. Or T. Jefferson the inventor, J.Q. Adams the skinny dipper or Z. Taylor’s nearly missing the presidency for want of a stamp. But that J. Adams was chubby, J. Madison was small and M. Fillmore is forgotten? There’s little to spark even a muted guffaw or a sympathetic nod.
In the end, however, they all testify to something important: Presidents are only men (so far, anyway) and capable of every mortal weakness and weirdness. (Picture book/poetry. 6-9)Pub Date: Feb. 6, 2012
ISBN: 978-0-547-18221-6
Page Count: 32
Publisher: Clarion Books
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Nov. 15, 2011
Entirely inappropriate for children.
Aimed less at children and more at Southern sympathizers, this alphabet book is an ill-conceived paean to the Confederacy.
Each letter of the alphabet is accompanied by an illustration and a short, often limping verse, most of which feature people and events that will be unfamiliar to today’s young readers (not to mention the general adult population, Civil War buffs notwithstanding). Unfortunately, the text lacks explanatory notes to give these items context and fails to provide an overarching narrative of the polemical version of the Civil War story it seems to take for granted. Take F, for example: “F is for the flags / Of the old Confederacy; / And for Nathan Bedford Forrest / A devil to every Yankee!” No further description of Forrest or his role in the war is forthcoming. Further, the narrator’s intense identification with the Confederate cause comes through clearly when he uses the first person (“D is for bright ‘Dixie,’ / A song we love to hear”) and in verses such as, “Y is for the Yankees, / The enemy in blue, / Invading beloved Dixie / To conquer and subdue.” Slavery is not mentioned in the text, yet the illustrations feature white and black soldiers fighting side by side for the Confederacy as well as a black woman comforting a white child as flames rage in the background. Absent historical context and competing perspectives, this far-from-center picture book lacks educational or entertainment value and is little more than propaganda designed to perpetuate “the South will rise again” mentality.
Entirely inappropriate for children. (song lyrics, timeline) (Nonfiction. 6-10)Pub Date: Sept. 15, 2011
ISBN: 978-1-58980-760-0
Page Count: 32
Publisher: Pelican
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
BOOK REVIEW
BOOK REVIEW
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