Full of desperate sadness and tremendous beauty.
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by Cynthia Kadohata ; illustrated by Julia Kuo ‧ RELEASE DATE: May 14, 2019
A family battered by war crosses an ocean to settle in a land still mired in suffering.
Twelve-year-old Hanako, her 5-year-old brother, and her parents were interned along with over 110,000 other Japanese-Americans during World War II. Papa, who agitated for the internees’ civil rights, was separated and targeted for especially harsh treatment. Having lost their restaurant and now disillusioned by America, they become expatriates, traveling to Hiroshima Prefecture to live as struggling tenant farmers with Hanako’s paternal grandparents. There they confront harsh social inequities, the impact of the atomic bomb, and the privations of postwar life. Even as she is embraced with warm, unconditional love by Jiichan and Baachan, Hanako struggles to adjust. She is clearly a foreigner in the land of her forebears, an identity crisis that’s exacerbated by extreme hunger, encounters with survivors of the bombing, and her loving parents’ emotional stress. The third-person limited narration vividly captures Hanako’s literal and figurative journeys as she faces complex moral dilemmas, deals with cultural dislocation and terrible uncertainty, and tries to lift the spirits of those around her. Superb characterization and an evocative sense of place elevate this story that is at once specific to the experiences of Japanese-American expatriates and yet echoes those of many others. Final art not seen.
Full of desperate sadness and tremendous beauty. (afterword) (Historical fiction. 10-14)Pub Date: May 14, 2019
ISBN: 978-1-4814-4664-8
Page Count: 416
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S HISTORICAL FICTION
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PERSPECTIVES
by Tae Keller ; illustrated by Alexandria Neonakis ‧ RELEASE DATE: March 6, 2018
A middle school story in which parental depression manifests itself in absence.
Natalie’s vivacious botanist mother (who’s white) has retreated from life, leaving her therapist husband (who’s biracial) and daughter to fill the gaping hole she has left. With the help of an egg-drop contest and a scientific-method project, Natalie explores breakable things and the nurturing of hope. Narrating in first-person, the mixed-race seventh-grader (1/4 Korean and 3/4 white) is drawn to her mother’s book, titled How to Grow A Miracle. It reminds her of when her mother was excited by science and questions and life. With a STEM-inspired chapter framework and illustrated with Neonakis’ scientific drawings, Keller’s debut novel uses the scientific method to unpack the complex emotions depression can cause. Momentum builds over nine months as Natalie observes, questions, researches, experiments, and analyzes clues to her mother’s state of mind. Providing support and some comic relief are her two sidekicks, Dari (a smart Indian immigrant boy) and Twig (Natalie’s wealthy, white best friend). The diversity of the characters provides identity and interest, not issue or plotline. Tension peaks at the egg-drop contest, as the three friends plan to use the prize winnings to bring Natalie’s mother back to life with a gift of a rare cobalt blue orchid. Paralleling their scientific progress, Natalie reluctantly experiences her first visits to talk therapy, slowly opening like a tight bloom.
A compassionate glimpse of mental illness accessible to a broad audience. (Fiction. 10-14)Pub Date: March 6, 2018
ISBN: 978-1-5247-1566-3
Page Count: 304
Publisher: Random House
Review Posted Online: Nov. 22, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 13, 2013
Kirkus Reviews Issue: April 15, 2013
Categories: CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S SOCIAL THEMES
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