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BUT WHO WILL BELL THE CATS?

Following a retelling of the Aesop fable, Von Buhler embellishes the tale with a luxurious castle, a princess, some pampered cats and an inventive, brave mouse with a faithful bat friend. The poor mouse lives in a dark basement, cold and hungry, surviving on the crumbs that fall through the floorboards. He has grandiose schemes to bell the cats, involving elaborate costumes. Of course he is spotted each time and subjected to much humiliation by the cats. The Princess’s unexpected kindness inspires the mouse’s final, successful plan. It’s an upstairs-downstairs scenario carried through in every way, the spreads frequently split in two horizontally to show the contrast. The typeface is appropriate to the location, heavy and bright in the Princess’s rooms, while thin and pale in the mouse’s quarters. The action is richly illustrated in profusely detailed multimedia collage, framed in ornate gilt, which again emphasizes the differences in the lifestyles of the characters. The upstairs scenes glow in lavish, bright gold tones, and the downstairs scenes are dark and gloomy. Young readers will pore over this one again and again. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-618-99718-3

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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