A book that might prove useful to fellow gen-Xers who find themselves outside geek culture or those who have resisted the...
In defense of our new geek overlords.
Rather than offering a superfan’s love letter to Lucasfilm, Jameson (99 Things to Do When You Have the Time, 2013, etc.) takes aim at the larger trends in entertainment media that Star Wars initiated. Geek art, whether involving sci-fi, fantasy, and/or superheroes, constitutes both a mindset and an aesthetic approach: the creation and consumption of imaginary new worlds with consistent internal logics. The author’s mission is not simply to tell the story of how a series of “geek milestones”—like The Matrix or the liberation of superheroes from the dustbin of 1960s comics—transformed once-isolated interests into mainstream blockbusters. He wants us to stop scoffing at video games, sci-fi novels, comic books, collectible figurines, gamer culture, and superhero movies and to re-evaluate them as legitimate, complex, uplifting, and profound art forms (with the corollary that we also hail the rise of nerdcentric movies as the latest generation of great American cinema). Jameson takes umbrage at decades of uptight movie reviewers who have dismissed the undeniable popularity of Star Wars, especially those who accused George Lucas of irrevocably skewing the entire film industry toward such childish pleasures as outlandish storylines and happy endings. The author rejects the dichotomy between realism and fantasy, arguing that Lucas showed how the exploits of aliens in a far-flung galaxy can be just as detailed and realistic as the grittiest new Hollywood flick. Jameson rhapsodizes about his analog adolescence and the uphill-both-ways struggle that was pre-internet geekdom, but his college essay–level arguments won’t win over those who sneer at the latest Marvel miniseries or balk at adult board games. Indeed, the book would probably most appeal to the group for which it is not written—i.e., his fellow fanatics, who probably know this stuff already but can never get enough.
A book that might prove useful to fellow gen-Xers who find themselves outside geek culture or those who have resisted the force of fantasy all these years but who now wish to learn what all the phantom menace is about.Pub Date: May 8, 2018
ISBN: 978-0-374-53736-4
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.
Known for her often contentious perspectives, New York Times opinion writer Weiss battles societal Jewish intolerance through lucid prose and a linear playbook of remedies.
While she was vividly aware of anti-Semitism throughout her life, the reality of the problem hit home when an active shooter stormed a Pittsburgh synagogue where her family regularly met for morning services and where she became a bat mitzvah years earlier. The massacre that ensued there further spurred her outrage and passionate activism. She writes that European Jews face a three-pronged threat in contemporary society, where physical, moral, and political fears of mounting violence are putting their general safety in jeopardy. She believes that Americans live in an era when “the lunatic fringe has gone mainstream” and Jews have been forced to become “a people apart.” With palpable frustration, she adroitly assesses the origins of anti-Semitism and how its prevalence is increasing through more discreet portals such as internet self-radicalization. Furthermore, the erosion of civility and tolerance and the demonization of minorities continue via the “casual racism” of political figures like Donald Trump. Following densely political discourses on Zionism and radical Islam, the author offers a list of bullet-point solutions focused on using behavioral and personal action items—individual accountability, active involvement, building community, loving neighbors, etc.—to help stem the tide of anti-Semitism. Weiss sounds a clarion call to Jewish readers who share her growing angst as well as non-Jewish Americans who wish to arm themselves with the knowledge and intellectual tools to combat marginalization and defuse and disavow trends of dehumanizing behavior. “Call it out,” she writes. “Especially when it’s hard.” At the core of the text is the author’s concern for the health and safety of American citizens, and she encourages anyone “who loves freedom and seeks to protect it” to join with her in vigorous activism.
A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.Pub Date: Sept. 10, 2019
ISBN: 978-0-593-13605-8
Page Count: 224
Publisher: Crown
Review Posted Online: Aug. 22, 2019
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
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