by D.A. Lee ‧ RELEASE DATE: Dec. 9, 2019
An earnest, if overlong, novel about the lasting effects of a Bangladeshi Muslim childhood in England.
A girl from a conservative household grows into a woman torn between tradition and independence in Lee’s debut novel.
Growing up in a Bangladeshi immigrant family in Ashcroft, England, Eleanor is raised according to her mother’s Muslim faith. “We are not here to judge what is written,” her mother tells her, “only Allah knows what is written for us.” This notion of things being written doesn’t sit well with Eleanor, for why would Allah write such terrible things? The man who molests her at the mosque, for instance? Or the violence that Eleanor and her mother suffer at the hands of her father? At the age of 7, Eleanor is drawn to Mrs. Abbots, a friendly woman in a fur coat whom she meets while putting flyers under windshield wipers in Ashcroft to promote her father’s restaurant. Mrs. Abbots teaches her that life gives people the freedom to make their own choices, and, inspired by that idea, Eleanor attends college, moves out of the family home, gets a job, and begins to travel the world. She seems on track for a liberated, self-determined life but feels she owes it to her mother to enter into a traditional marriage, as she promised she would. She begins to see Syed, a Bengali man who would please her parents but who does not share Eleanor’s views on female independence. Will Eleanor end up a subservient housewife like her mother or find the freedom to write her own story? Lee tells Eleanor’s tale in smooth, expressive prose that captures her protagonist’s inner turmoil: “I woke up in the morning, staring emptily at the ceiling. Syed had already left for work. I could just walk out and leave, couldn’t I? I thought as I looked at the door. How many mornings had I let that thought run through my mind, only to unconvince myself?” At 570 pages, the book is far too long, particularly since the reader has a pretty good sense of where it is going from the start. That said, people caught between religious and secular cultures should be able to relate to Eleanor’s struggles and may see themselves in her story.
An earnest, if overlong, novel about the lasting effects of a Bangladeshi Muslim childhood in England.Pub Date: Dec. 9, 2019
ISBN: N/A
Page Count: 526
Publisher: Loving Creative Inspirational Publishing
Review Posted Online: April 3, 2020
Review Program: Kirkus Indie
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by Colleen Hoover ‧ RELEASE DATE: Oct. 18, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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New York Times Bestseller
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Best Books Of 2015
Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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