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GRIMM WOODS

Name: GRIMM WOODS
Author: D. Melhoff
ISBN: 978-0-9921331-3-9

by D. Melhoff ‧ RELEASE DATE: June 17, 2015

The literary equivalent of a slasher movie, one that garners its biggest frights with mere implication.

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A demented murderer—inspired by a summer camp’s fairy-tale theme—hunts young counselors in this horror outing.

Scott Mamer is one of several first-time counselors for the upcoming three-month stint at Camp Crownheart, but at 21, he’s also the oldest. Losing out on six weeks of construction work and with rent due, Scott responded to an ad for the camp, which caters to troubled kids and resembles a fairy tale, with cobblestone paths leading to huts instead of cabins. Abiding by owner Charlotte Becker’s rule to “behave impeccably” means Scott will temporarily have to give up his beloved cigarettes. But things are looking up once he sparks a conversation with striking blonde and fellow counselor Brynn. The next morning, however, when the first busload of kids arrives, two counselors are noticeably absent. They both turn up dead from an apparent accident, but Charlotte has no plans to shut down the camp, believing that would be more harmful for the hundreds of children who’ll be attending this summer. Sadly, later deaths are unmistakably at the hands of a killer, whose murders recall fairy tales: not the family-friendly variety, but the original, violent stories à la the Brothers Grimm. The generally indifferent Scott will have to decide whether he wants to help others or only himself. Melhoff (Turkey Town, 2014, etc.) hits all the trademarks of a slasher film, from the camp setting to a horde of sex-starved teens. This includes the occasional pratfall: most of the would-be victims, even the protagonist initially, are unsympathetic, seemingly interested in partying above all else. Regardless, the author shrewdly gives prominence to suspense over the murders, often shown after the fact. Tension builds with copious scenes in the woods at night, ominous sounds like hooting owls, and silhouettes lurking in the shadows. At the same time, Scott’s likability gets a significant bump when he conquers his obvious discomfort around children and becomes a protector. And while the killer’s identity isn’t immediately known, there’s likewise mystery surrounding Scott, who receives a cryptic message from the murderer that may have him revisiting a stowed-away memory.

The literary equivalent of a slasher movie, one that garners its biggest frights with mere implication.

Pub Date: June 17, 2015

ISBN: 978-0-9921331-3-9

Page Count: 384

Publisher: Bellwoods Publishing

Review Posted Online: Dec. 13, 2016

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.