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KOA KAI

THE STORY OF ZACHARY BOWER AND THE CONQUEST OF THE HAWAIIAN ISLANDS

A zesty, if flawed, historical adventure that’s worth a read to witness the love that the author lavishes on his characters...

In this first novel, Pollock takes his hero from humble beginnings in Colonial America at the end of the 18th century to the Sandwich Islands, where he becomes a warrior in the service of Kamehameha the Great, the founder of the Kingdom of Hawaii. 

Zachary Bower is born in a cabin on the frontier of the British colonies, not long before the start of the Revolutionary War. After the death of his mother, he’s sent to live with his aunt and uncle in Connecticut. His uncle Israel is the captain of the Setauket, a far-ranging merchant ship. Soon, young Zachary ships off with Israel’s crew, learning the ropes while heading to Spanish California. On shore leave in San Diego, he gets left behind and impressed onto another ship that’s heading to the Sandwich Islands. Here, the real adventure begins—as if rounding Cape Horn weren’t hair-raising enough. Zachary’s new vessel, the Fair American, is captured by the island’s residents, and only he and the first mate survive. Soon, along with a seaman from their sister ship, they find themselves the captives of the great leader Kamehameha—a well-known historical figure. Zachary, however, is fictional, as is Kaleo, a young Hawaiian who becomes Zachary’s minder and mentor; the comely Pua Lani, who becomes Zachary’s common-law wife, is also a product of Pollock’s pen. As Kaleo and Zachary become close friends, the latter proves to be a fearsome warrior in Kamehameha’s campaign to unite the people of the archipelago.  The descriptions of the fighting are unbelievably savage and bloody, but finally result in sufficient victories and a peaceful interlude. Zachary becomes a father, and he’s accepted among the members of his new society (they call him “Koa Kai,” or “Sea Warrior”), and he’s also found peace within himself. The story doesn’t end there, but suffice it to say that some readers will find the final resolution to be very satisfying, while others may feel that Pollock caved to the temptation of providing a happy ending. The author, in his bio, notes that he’s been “an avid sailor for over fifty years” and his details of a ship’s rigging and maneuvers, and of sailing a vessel through horrendous weather, have the air of verisimilitude. He also fruitfully contrasts Zachary’s straight-laced Christianity with the life of the islanders. For example, Pua, at Zachary’s suggestion, simply agrees to be monogamous and live with him, but Zachary sometimes finds himself struggling with Christian guilt. The sailing scenes are truly riveting throughout, and readers will get a real feeling for the island paradise, with its mix of the idyllic and the brutal. That said, despite the author’s clear investment in this historical material, the text often suffers from idiosyncratic punctuation, as well as erroneous word choices or misspellings, such as “lien-to” instead of “lean-to,” “shuttered” instead of “shuddered,” and “windless” instead of “windlass.”

A zesty, if flawed, historical adventure that’s worth a read to witness the love that the author lavishes on his characters and their adventures. 

Pub Date: April 24, 2018

ISBN: 978-1-4808-5934-0

Page Count: 306

Publisher: Archway Publishing

Review Posted Online: March 1, 2019

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SHOGUN

In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.

Pub Date: June 23, 1975

ISBN: 0385343248

Page Count: 998

Publisher: Atheneum

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: June 1, 1975

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