by A.D. White ‧ RELEASE DATE: N/A
A conventional mystery, but the investigators themselves prove more than enticing.
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In the second of White’s (A Killing in D.C., 2014) thriller series, D.C. homicide detectives investigate the brutal murder of a wealthy and philandering CEO.
Detective Marcus Rose’s Sunday date with wife, Gina, is cut short when he responds to a call. Someone’s found Nicholas Lockett in his high-rise penthouse, dead from multiple stab wounds. Lockett, whose net worth totals $250 million, was a ruthless entrepreneur and likely aggrieved any number of people on his way to the top. But Marcus and partner, Detective Logan Steele, believe the ferocity of the stabbing points to a crime of passion. Because Lockett was cheating on his wife, Yvette, with quite a few women, including personal assistant Nicole, it doesn’t really do much to shorten the suspect list. German businessman Diedrick Becker, for example, failed in his attempted hostile takeover of Lockett’s company, Lockett Electronics, but his undeniable hatred of his late rival may have had more to do with an affair involving the German’s wife. Other detectives, from Katelyn Alverez to relative newbie Frank Callahan, also work the case. Not all interviews go smoothly. Lockett’s driver, Stephan, prefers physical resistance to cooperation, and the squad can only hope to amass enough evidence to put a killer in handcuffs. Despite the novel’s short length, White adeptly adds nuance by differentiating the detectives. Detective Anthony Russo, for one, has a drinking problem, while Lt. O’Malley reprimands Detective Alverez for taking a bribe. Marcus and Logan, too, are contrasted: the former is a family man, and the latter a content bachelor. The layout is poorly designed, with dialogue exchanges often crammed into single paragraphs. This does, however, help interrogation scenes stand out. Lines, identified by the speaker, unfold in the style of a script and use minimal narrative to describe basic actions (i.e., a smile). Readers won’t have trouble picking out the murderer, but the characters make the investigation the best part. And it’s led by a protagonist who sublimely contradicts the tough-guy image, eliminating profanities from his vocabulary and obsessively using hand sanitizer.
A conventional mystery, but the investigators themselves prove more than enticing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Aug. 5, 2016
Review Program: Kirkus Indie
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by A.D. White
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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