by Daina Ramey Berry & Kali Nicole Gross ‧ RELEASE DATE: Feb. 4, 2020
A vital book for any library or classroom—and for foot soldiers in the fight for racial justice.
A compact, exceptionally diverse introduction to the history of black women in America, rooted in “everyday heroism.”
As Berry (History/Univ. of Texas; The Price for Their Pound of Flesh: The Value of the Enslaved, From Womb to Grave, in the Building of a Nation, 2017, etc.) and Gross (History/Rutgers Univ., New Brunswick; Hannah Mary Tabbs and the Disembodied Torso: A Tale of Race, Sex and Violence in America, 2016, etc.) persuasively argue, black women have “significantly shaped” our nation—and fought for their rights—throughout every period of American history. Yet their contributions often have been overlooked or underappreciated. In the latest book in the publisher’s ReVisioning American History series, the authors offer a selective but wide-ranging search-and-rescue mission for black female activists, trailblazers, and others who have left a mark. In the first chapter, they introduce Isabel de Olvera, who became one of the first black women to set foot on what is now American soil after joining an expedition from Mexico in the early 17th century. From there, Berry and Gross proceed chronologically, opening each chapter with a vignette about a signal figure such as Shirley Chisholm, the daughter of Caribbean immigrants who became the first black female member of Congress. Along the way, the authors frequently discuss members of traditionally underrepresented groups, among them the lesbian blues singer Gladys Bentley and the conjoined twins Millie and Christine McKoy, whose exploitation by mid-19th-century showmen suggests the perils faced by black women with disabilities. The result is a narrative that highlights both setbacks and achievements in many spheres—sports, business, education, the arts, military service, and more. While their overall approach is celebratory, Berry and Gross also deal frankly with morally complex topics, such as women who committed infanticide rather than see a child enslaved. Amid their gains, black women face enduring challenges that include police brutality and other forms of “misogynoir,” or “gendered, anti-Black violence.” For anyone hoping to topple the remaining barriers, this book is a font of inspiration.
A vital book for any library or classroom—and for foot soldiers in the fight for racial justice.Pub Date: Feb. 4, 2020
ISBN: 978-0-8070-3355-5
Page Count: 288
Publisher: Beacon Press
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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