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AIR BATTLE FORCE

Tense pages hard-focused on aerial hardware as Brown pumps it up for fans—who know what they’re getting.

Old Dog Brown brings back his favorite technothriller heroes for what will likely be their 15th consecutive assault on the bestseller list, despite ever more unwieldy plots, laboriously detailed fantastic weapons, and bombastic action sequences.

Forcibly retired US Air Force General Patrick McLanahan (Wings of Fire, 2002, etc.) and his unsanctioned Night Stalker special ops corps of freelance commandos (who work outside the government) have saved the world several times over from total destruction and always win the biggest stakes on the table. What is an Air Battle Force? Well, former child prodigy aeronautical and space engineer Jon Masters has devised the Vampire bomber, which carries StealthHawk Unmanned Combat Air Vehicles within it. McLanahan leads the 1st Vampire Squadron, and StealthHawks are the leading edge of the force he and Wing Commander Rebecca Furness use to launch a counterattack against Afghan Captain Wakil Mohammad Zarazi’s Taliban troops, who capture a UN Afghan Relief and Rehabilitation unit in Northern Afghanistan. Air Battle Force is the future of air warfare and in part consists of robot warplanes launched from the Vampire bomber. Flying a B-1 over air space congruent to Afghanistan, Iran, Pakistan, and Turkmenistan, McLanahan loses a robot plane and goes searching for it through various hostile radars and air defense systems while running almost on empty. As it happens, the Turkmenistan oil fields have become the prime target of Taliban and Al-Qaeda forces no longer safe in Afghanistan. The novel bomber makes a pancake landing, skipping off the ocean onto a beach. The technoclimax comes with the Vampire in a dogfight while attacking an airbase in the Russian Federation.

Tense pages hard-focused on aerial hardware as Brown pumps it up for fans—who know what they’re getting.

Pub Date: May 13, 2003

ISBN: 0-06-009409-5

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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