A multilayered protagonist and stellar setting help guide this sci-fi narrative to an unforgettable coda.


From the The Brulle Mosaic series , Vol. 3

In 2040, a former convict with an implant to stave off violent impulses finds himself in the midst of a plan to take down a corporate empire in Lutz’s (Book Hunter, 2015, etc.) sci-fi thriller.

It’s been a year since Andre Cross left prison early after agreeing to get a device implanted in his neck that counters his destructive urges by inducing euphoria. He works at a farm that produces Neura, a drug that’s part of a health plan for wealthy citizens in a place called Upper Brulle. Andre’s maintenance job pays him in credits and doses of Neura, but because the implant prevents him from taking the drug, he sells it legally for even more credits. He’s hoping to earn enough to buy a ticket to the utopian city of Anchora. And there’s a chance he could expedite his departure: his preferred customer, Finn, suggests that Andre could swipe a large haul of Neura for a bulk sale. Andre’s subsequent attempt results in his capture by members of the Heart of Grace, a cult that opposes Neura’s owner and creator, a company called Titan. The cultists force Andre to help them infect Upper Brulleans with zilla, a potentially lethal Neura/painkiller combo. The ex-con draws on whatever he can, including his newfound feelings for a female PrePAC (android) named Mo Da, to ensure he lives to see Anchora. Lutz’s story tackles the common sci-fi theme of a robot experiencing emotions. But Andre’s apparent tenderness toward Mo Da is equally complex; he also struggles to subvert the “dark thing” that drives him to violence, even as the implant practically turns him into a zombie. His back story, which involves a not-so-nice older brother, is dramatic and laced with mystery. Characters range from pleasantly ambiguous to dangerously blunt; for example, Kade, cult leader Elron’s right-hand man, doesn’t even try to hide his animosity toward Andre. Technology circa 2040 is chic but believable, particularly Andre’s harness for handling maintenance, which is constructed out of robotic arms. This tech is the subject of one of many visually enticing illustrations, courtesy of Lutz and debut illustrator Gray.

A multilayered protagonist and stellar setting help guide this sci-fi narrative to an unforgettable coda.

Pub Date: June 18, 2016

ISBN: 978-0-9946275-0-6

Page Count: 380

Publisher: CreateSpace

Review Posted Online: Aug. 12, 2016

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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