A smart, unorthodox, and delectable superpower tale.
A man burdened by visions featuring multilingual words possesses a remarkable ability some believe could threaten the world in this thriller.
Caught in a wildfire, California teacher Jon Wanamaker and his bus driver friend, Ernie Renssalear, dodge an unknown assailant’s gunshots. As if that weren’t enough, they later find floating in nearby Lake Isadora a bottle with a brain and note inside. The cryptic note references the Upsweep Project and Amelynd Island, both of which reporter Remedy Conover learns about for an article she’s writing. She’s shocked to discover that four years ago, every human subject in Upsweep, a secret government-funded study, died except one—her ex-husband, Jon. Since the project, Jon has intermittently seen words, like printed text, overwhelm his field of vision. The words appear as “ribbons” (digital ribbon boards) and in multiple languages, including Tlingit of Jon’s Native American clan. But they also lead Jon to an extraordinary ability; some associated with Upsweep want him to develop this power while others, such as the gunman at the wildfire, consider him too dangerous to live. Various parties converge in Sirretta Valley to either help Jon or somehow ensure he doesn’t become a menace. Cray’s (Piercing Maybe, 2018, etc.) twisty tale unravels at a frantic pace. Plot turns make some of the characters all the more striking: Individuals from Jon’s Alaskan hometown, for example, blame him for the death of a young girl. Furthermore, the story explores multiple sclerosis-afflicted Remedy, whose disability is a condition, not a flaw. It even precipitates the indelible image of the reporter using a kitchen broom as an aid instead of a cane. Little can be said regarding Jon’s ability without spoiling the narrative. But it’s on full dizzying display in a smashing final act that should leave readers debating who the real villain is—or if there is one. Unsurprisingly, the prose is linguistically appealing: “Firefly-like sparkles flashed as daylight caught the tiny shards of glass sprinkled across the man’s filthy cheeks.”
A smart, unorthodox, and delectable superpower tale.Pub Date: Nov. 13, 2018
ISBN: 978-1-940317-08-3
Page Count: 392
Publisher: Third Quandary Books
Review Posted Online: Sept. 16, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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