by Dan Dwyer ‧ RELEASE DATE: April 30, 2020
Aliens, angels, and an action-hero dad star in a rousing genre mishmash.
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This series opener finds a businessman trying to save his family during a war between two extraterrestrial races that threatens Earth.
In Dwyer’s SF fantasy, business executive Jonathan Prescott wins instant fame by being the lone survivor of a terrorist attack. The reason: He has a real guardian angel, the beautiful Angelina, who is at least 50% human, switching between divine and mortal forms. Her Capra-esque mission requires her to undergo various trials before becoming a full angel in heaven. Now, the challenge of Islamic terrorism is quickly dwarfed by a larger menace. Jonathan is in the middle of a conflict between alien armies. Kronogons are advanced, immortal, shape-changing reptiles who look like turtles until they go into fearsome “anaconda” warrior mode. Jonathan has an alliance with TAU, a Kronogon military overlord who has tried to manipulate a succession of American presidents in a fight against enemy ETs called Nardomons. Nardomons are actually the bulbous-headed “Greys” who abduct and mutate inhabitants of Earth and other worlds. In short order, Jonathan has faced many attempts to kill him—by the terrorists, rogue forces in the American government, even some of TAU’s ruthless Kronogon comrades. Finally, TAU, Angelina, and some prominent humans have gotten past mutual distrust to team up. But Jonathan’s wife, Janet, and their children are slain. TAU’s cohorts bring the ensemble to their “Star City” to resurrect Jonathan’s loved ones (Kronogon science can do that), but a Grey raid kidnaps the comatose Prescotts. It seems the terminal cancer afflicting Jonathan’s son appeals to the Greys in their cruel conquest strategies.
The author is adept at keeping things moving and throwing cinematic-level twists into the Robert Ludlum–sized narrative to maintain reader interest. Most miraculously of all, for a story co-starring an angel (with a supporting role by the pope), the inescapable religious elements are kept at a fairly low volume. Some devout fishermen compare Jonathan to Old Testament figures like Jonah and David, and Angelina sometimes mentions the heavenly hosts ranking above her. But there is little of the lengthy sermonizing that is the hallmark of such spiritual fantasies as The Shack. Jonathan does question why a benevolent God would allow a universe to host evil entities like the Greys, but he broods just as much over the secular pitfall of being a workaholic dad who made business meetings a priority over his wife and kids. Angelina registers less as a channel for holy thoughts or Scripture quotes than as a superhero type, restricted in her powers by her half-human side as well as the rule that she is forbidden from using her supernatural powers to smite or kill a foe. (Plus her dialogue, full of mild wisecracks and spunky patter, would be right at home in a comic book.) The two alien races may scheme like Cold War antagonists, but they have enough imaginative touches and exotic cultural details to merit genre respect, say on a Star Trek series level. While it’s the first installment of a series, this volume wraps up its story threads more neatly than other SF sagas, not leaving readers stranded in a ninth circle of cliffhanger hell.
Aliens, angels, and an action-hero dad star in a rousing genre mishmash.Pub Date: April 30, 2020
ISBN: N/A
Page Count: 345
Publisher: Self
Review Posted Online: May 7, 2020
Kirkus Reviews Issue: July 15, 2020
Review Program: Kirkus Indie
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by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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