Funny, light, and whimsical.
An anthropomorphic anteater enjoys many foods but is vehemently opposed to eating ants.
Capital letters are used throughout, beginning with the initial page: “I AM AN ANTEATER AND I LOVE TO EAT.” Bright graphics that have the appearance of digital animation show a friendly-looking, gray critter in a waistcoat, its long, red ribbon of a tongue snaking out over a table full of colorful, human foods: a burger on a bun; a pink, triple-layer cake; a bowl of fruit; some sort of pie. On the next double-page spread, readers learn that, like people, this anteater eats three meals a day—and does not eat ants. After a double-page spread full of foodstuffs, there is a droll illustration of anteaters sitting at a place-matted table, with all but one sucking ants out of individual jars labeled, “ANTS.” The protagonist is munching—or tonguing—hot dogs and fries. There follow pages of clever, anti–ant-eating wordplay, with matching, funny artwork. For example: “TORTELLINI? TOTALLINI!” shouts the anteater as it whizzes by on a skateboard, one paw on board, the other with a tortellini noodle on a fork. Other cheerful-looking creatures add to the fun. A wry commentary on other animals’ diets yields the observation that “JAGUARS EAT ANTEATERS, BUT THEY AREN’T CALLED ANTEATER-EATERS.” An apron-clad mother anteater plays an important part in a punch line that will garner knowing nods and grins.
Funny, light, and whimsical. (Picture book. 3-6)Pub Date: Oct. 3, 2017
ISBN: 978-1-57687-837-8
Page Count: 32
Publisher: POW!
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...
A polar-bear parent speaks poetically of love for a child.
A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-1-68010-070-9
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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